Scherben

28-year-old medicine student Malina wakes up disoriented in a locked trunk and realizes, to her horror, that she is missing more than just her memory of what happened. With her phone as the only link to the outside world, the intelligent young woman wages a desperate fight for survival while the vehicle races relentlessly toward a terrible secret.

Five survivalists prepare to livestream their exit from society. When they involve a former cyberterrorist, their plans are shaken.

In the garden of a colonial villa in Bujumbura, five actors gather. They were summoned here to rehearse a theatre piece about a future in which all international organisations and NGOs have left East Africa. But now, as the director herself is not there, they cannot do anything but wait, and share a few stories. Nested in a mythological setup with an absent director, an unruly fictional character, a ghost and a wanderer, they tell stories about the sphere of development aid and the inequality it claims to fight. After an essayistic introduction, their narrations drift between report, fairy-tale and gossip. In an attempt to grasp a an increasingly elusive world, these monologues were developed out of stories, ideas and experiences from 5 years of artistic research and exchange between a Burundian and a German filmmaker.

One momentous night in Berlin, three women working in a coat room struggle for reproductive choices better than just the neoliberal freedom to have them. Nichts ist erledigt/Not Yet Over, a multi-genre fiction film, incites us to look at feminism’s™ unfinished business from the bottom up.

Berlin. Summer 2018. They are 17 years old. The diverse neighborhood they grew up in is one big construction site, where people have to give way to the dreams of others. They drift through the city and wonder how anyone will be able to live in this city in the future. They are always in discussion: about everyday sexism, the individual's responsibility for the system in which we live. What is happening and what should happen is in contradiction, but they keep the faith.

Doubt creeps in as Cosmo, a space traveller, addresses his gender identity. In need of clarity and change, he wants to risk crossing the Butterfly Nebula. His spaceship, on the other hand, has a personality of her own. Cosmo will need to negotiate change with a certain loss of control.