To Make a Film Is to Be Alive

A sweeping documentary explores China through its people, showcasing life in Beijing's old city and a bustling cotton factory, a collective farm in Henan, the historic city of Suzhou, and the industrial port of Shanghai, culminating in a vibrant acrobatic performance.

David Locke is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story. When he discovers the body of a stranger who looks similar to him, Locke assumes the dead man's identity. However, he soon finds out that the man was an arms dealer, leading Locke into dangerous situations. Aided by a beautiful woman, Locke attempts to avoid both the police and criminals out to get him.

Four tales, each centered on a woman, journey inward to explore the enigmatic reality of their lives, connecting through a single narrative thread.

This documentary assembles footage shot by Michelangelo Antonioni during the 1977 Kumbha Mela, one of the largest religious gatherings in Hindu tradition. The film observes pilgrims and rituals associated with the festival, which takes place at sacred river sites in northern India.

Movie director Niccolò has just been left by his wife. Subsequently he embarks on an obsessive relationship with a young woman who eventually leaves him and disappears while searching for her, he meets a variety of other willing girls. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading part in the movie.

A three-part anthology about love and sexuality: a menage-a-trois between a couple and a young woman on the coast of Tuscany; an advertising executive under enormous pressure at work, who, during visits to his psychiatrist, is pulled to delve into the possible reasons why his stress seems to manifest itself in a recurring erotic dream; a story of unrequited love about a beautiful, 1960s high-end call girl in an impossible affair with her young tailor.

Promotional omnibus film, made for the 1990 FIFA World Cup in Italy, featuring portraits of 12 Italian cities.

Produced for the Italian pavilion at Seville Expo, Antonioni takes a look at specific aspects of Sicily, including almond blossom, aerial investigations of volcanoes and a look at Aciraele's colorful carnival.

In the 1980s, Michelangelo Antonioni traveled with his partner, actress and filmmaker Enrica Fico Antonioni, to Japan with the intent of creating a documentary, Un viaggio in Giappone, that would chronicle “the social transformations undergoing in Japan through the experimental use of new film technologies,” specifically the Betacam. Un po' di Giappone is the shortened version of the documentary.

This short documentary offers a visual portrait of Sicily as observed by Michelangelo Antonioni. Composed as a series of images rather than a narrative account, the film presents Antonioni’s impressions of the landscape and atmosphere of the island.