L'Homme Vite

This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.

In 1969, the federal government expropriated two hundred and fifteen families in eight towns of New Brunswick in order to build a national park. Not only did these families lose their homes and their memories, they also lost their livelihoods.

In this heartwarming docudrama, Chilean immigrant Marilú Mallet strives to make a film about her experience of deep isolation. Her English-speaking husband, a prominent film director, criticizes her subjective approach to filmmaking; her young son, raised in Quebec, speaks only French. Interviews with Isabel Allende and other Chilean exiles reveal a deep bond in this powerful and resonant film about language and genre, exile and immigration.

This short, silent film captures a Sunday afternoon at a community skating rink. Iconic Quebec director Gilles Carle has the camera follow toddlers learning to skate, young girls flashing their skates and boys decked out in the colours of their favourite hockey teams. A picture perfect moment on a bright winter's day.

Toronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.

Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and journey, something between documentary and feature film. Finally, a portrait of Boris Lehman from 1989 to 1995, part II of BABEL.

This documentary explores the economic, sociological, and cultural aspects of food systems and consumption in a major city, focusing on the disconnect between food production and consumption.

A film about Canadian ballet dancer Margaret Mercier. Prima ballerina of Les Grands Ballets Canadiens, graduate of Sadler's Wells Ballet, and student of the Bolshoi Ballet, Miss Mercier talks about her art. The film follows her through rehearsal and a scene from Cinderella.

A classic NFB documentary about the Golden Gloves boxing tournament, the Canadian amateur's hope for success in the boxing world. This Gilles Groulx film shows three Montreal boxers in training. In behind-the-scenes interviews they talk about their ambitions and what prompted them to take up the sport. - NFB

This quirky little short by Gilles Carle was filmed on the pierced rock that stands near Quebec’s Gaspé peninsula. It is perhaps the most photographed natural phenomenon on Canada’s East Coast. Shot in the 1960s, the film has a very psychedelic feel to it, with animation, special effects, and a trio of women to guide us through.

"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).

The man carrying his body, his reels of film, his bag and his old Nikon, is Boris Lehman, he's also Sisyphus, Jesus Christ, and Ixion as told by Alfred Jarry in La Chandelle Verte. An essay on heaviness and lightness. The carrying man would like to fly, vanish into thin air, into light. When he meets another machine-man, who carries electronic pictures, his dream will come true.

A true surrealist poem about love and desire, La femme image sparked a scandal despite its semi-clandestine distribution, because never before had a Quebec-made film shown full- frontal female nudity.