Sleepy Eyes of Death 4: Sword of Seduction

Nemuri Kyoshiro, a youthful and cynical ronin with unparalleled skill, is approached by both sides in a game of corruption, ambition, and double crosses. The leader of the Kaga clan, who thinks he has killed his smuggling partner, fears that the shogunate will discover his illegal activities. He learns of evidence that will prove his guilt. Meanwhile, his partner is not dead, and, assisted by a master of Shorenji boxing, is looking for revenge and for his loot. The Kaga leader sends the beautiful Chisa to enlist Nemuri's aid. The unexpected happens: the hard-bitten Nemuri falls in love. Can he protect her, topple the criminals, and avoid the boxer's deadly skill?

Wandering samurai Nemuri Kyoshiro (Raizô Ichikawa) finds a bulls-eye on his back after befriending the shogunate's tightfisted financial adviser, Asahina, who's earned the wrath of the shogun's self-indulgent daughter for cutting off her allowance. The enraged princess promptly hatches a scheme to have Asahina bumped off -- along with his protector, Kyoshiro. Shiho Fujimura also stars in this installment of the enormously popular film series.

A decapitation at the hands of the shogun's monstrous misbegotten son kicks off the action and draws nomadic Nemuri Kyoshiro (Raizô Ichikawa) into more sword-fighting adventures when he's blamed for the beheading. Meanwhile, the head-chopper's mother is busy knocking off the shogun's lawful heirs to secure the shogunate for her son.

Fifth film in the series. When Kyoshiro, in a moment of weakness, saves the life of a woman being attacked on the road, he quickly finds himself entangled in a conspiracy involving a corrupt chamberlain, a wily merchant, the survivors of a pirate gang, and a missing treasure trove.

Sixth film in the series. A little boy who just wants to be a carpenter is at the center of a plot that might topple -- or save -- a mighty Clan, and while the swords of some angry samurai may not cause Kyoshiro much trouble, the deadly wiles of two women may be more difficult to survive!

The masked daughter of the Shogun wants to kill a samurai who has seen her scarred face. She sends waves of ninja warriors to kill the samurai and plots diabolical schemes / ambushes without much success.

Nemuri Kyoshiro discovers a conspiracy centering around a band of disgruntled samurai wanting to avenge the death of their sensei, a political reformer that pushed for better provisions for the lower classes until he was assassinated by Shogunate agents. Their plot, to set fire to the oil refineries of two rich merchants and unleash a raging inferno that will hopefully burn down the Edo Castle.

The Son of the Black Mass returns in this ninth installment in Daiei's longstanding Nemuri Kyoshiro series. This time Raizo Ichikawa as Nemuri is called to see that a gold statuette of the Virgin Mary gets safe passage to Kyoto from the prying hands of a sect of murderous Christian ronin that call themselves the Black Finger Group.

Two devious retainers are competing to take control of a fief when the current Lord dies, but involving Kyoshiro in the conflict against his will is the textbook example of a bad idea - especially when the collateral damage starts to tick him off.

The titular "tarantula" is a murderous woman who, along with the brother who is in love with her, kill without warrant because they are wealthy & above the law. Kyoshiro the homeless masterless wandering samurai has nothing to lose, & no scruples anyway, so can reproach even the powerful with ease. He is thus, for all that he has broad streaks of villainy all his own, a champion of the people by default.

Just when you think Kyoshiro's life can't get any stranger, someone starts running around raping and murdering, and leaving notes proudly proclaiming that he did it. Tracking down the real culprit will take him along a twisted trail that involves the Shogun's harem, hidden Christians, and positively pregnant politics!

Inspector General Kanjuro Sano conspires with the future shogun twin brother. They replace Ieyoshi Tokugawa with his twin, but it becomes a problem when suspicion arises and Nemuri Kyoshiro gets involved.

Getting an opportunity to meet with another half-Caucasian swordsman, Kyoshiro finds himself involved in a series of dangerous encounters.

Buddhist priest Tripitaka and his three disciples Monkey, Pigsy, and Sandy, travel from China to India to fetch the Buddhist scriptures. They have been sent by Buddha, and getting these scriptures will bring peace to the people of the world.

The tragic, yet exciting story of the friendship between Nakayama Yasubei, a member of the 47 Ronin, and Tange Tenzen, a relative by marriage of the vile Lord Kira.

Monjiro was born into a poor farm family in Mikazuki Village, Nitta County, Ueshu, and abandoned his hometown when he was 10 years old. He has been traveling aimlessly with a long toothpick in his mouth. Monjiro avoided getting involved in anything, but wherever he went, he ended up getting involved in incidents

The 1990 adaptation of Toyoko Yamasaki's "The Great White Tower".

A Japanese live-action adventure series about a loyal white dog named Goro and his young mistress Reiko, who search for each other across Japan despite all adversities, fatigue, and hunger.

Wicked woman Ogin is a concubine of a powerful feudal lord Tayu. At first Ogin gains power by poisoning lawful wife of Tayu. To gain more power Ogin let her lover Isogai Iori, kill whoever interrupts her. Film it is based on Jun'ichirō Tanizaki's novel "Kyofu Jidai".

One of Japan's most popular stories is the tale of Kutsukake Tokijiro, a traveling gambler who finds that he must take care of the wife and child of a yakuza he had been forced by the code of the gamblers to fight man to man. In a brilliant performance from super-star Ichikawa Raizo, with strong support from two of the greats from Toho, Shimura Takashi (7 Samurai) and Aratama Michiyo (Sword of Doom) the heartfelt story reaches new heights. Tokijiro, having learned the true nature of the boss to whom he was obligated for having spent a night and eaten at the gang's headquarters takes up arms against them in a running battle fought across the back roads of the entire nation. Another powerful rendition of this superb story, it is not to be missed!

Zatoichi's trek through 88 temples to atone for his violent past is interrupted as he stumbles into a village terrorized by a violent yakuza boss.

Thirsting for revenge, Jokichi rashly attempts to assassinate the evil Chogoro but ends up being captured by yakuza. His life is spared by Boss Juzaburo, in order that the harmony of an important commemoration not be further disturbed. Though now even more of an outcast, Jokichi is asked by another Yakuza boss, Umezo, to guard Oyuki, the wayward daughter of Juzaburo. The tragic consequences of this assignment will lead him into a deadly trap and a final confrontation with Chogoro.

Set up to be the patsy by a rival gang, Furuta Makoto attacks the yakuza boss he thinks is responsible for his father’s murder. He then learns it was all a plot to take over his father’s turf and he seeks vengeance against the puppet master behind the entire conspiracy. His quest for justice leads him to prison where he must fend off the attack of a master assassin before he can make his escape and go after the true killer!

When a corrupt magistrate rapes Oshima, Masa (Raizō Ichikawa) avenges her by killing the officer, becoming thereby a fugitive, haunted and grief-stricken by the fact that Oshima committed suicide. Going underground in the gambling world, perpetually hiding from the law, Masa eventually meets a young woman named Onaka, who looks exactly like Oshima. Tales having two look-alike heroines are a commonplace in Japanese period films, a plot affectation inherited from the kabuki theater. Based on a novel by Shin Hasegawa, Nakayama shichiri was already twice filmed in 1930, one version directed by Namio Ochiai, and from which less than 40 minutes survive, the other directed by Kyotaro Namiki. Both are silent films, preserved by the Makino film institute.

Ichi travels to the village of Itakura to pay his respects at the grave of Kichizo, a man he killed two years ago. When some tax money is stolen while in transit to the governor he is accused and sets out to find the money and clear his name.

Blind masseur Zatoichi is nursed back to health by a young woman after he is shot by a gang member. Zatoichi, who had come to the village to repay a debt, now feels further indebted. He commits himself to use his amazing sword skills to help the young woman's father, whose river-crossing service is under attack by the same gang responsible for Zatoichi's wounds.

In feudal Japan, women are vulnerable, in need of protection, and capable of deception. Jokichi of Mikogami, a drifter, has not yet fully revenged the death of his wife and son. He searches for Kunisada Chuji, who in turn has hired the knife-throwing Windmill Kobunji to kill him. Kobunji and Jokichi meet in the winter, near Sasago Pass, when both have rescued women: Jokichi has saved the lute-playing Oyae whose clan and whose lover want her dead; Kobunji has rescued Oharu, a well-born woman married to an innkeeper. Is this rescue a whim or something deeper? And why does Jokichi become the consumptive Kobunji's protector? What ultimately will Jokichi do about Oyae?