Horowitz Plays Mozart

Six documentaries that portray American family life.

This intimate portrait of the legendary conductor Seiji Ozawa focuses on the Japanese master and teacher's career, his advocacy of modern composers and the behind-the-scenes world of the symphony orchestra.

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

30 for 30 is the title for a series of documentary films airing on ESPN, its sister networks, and online highlighting interesting people and events in sports history. This currently includes four "volumes" of 30 episodes each, a 13-episode series under the ESPN Films Presents title in 2011–2012, and a series of 30 for 30 Shorts shown through the ESPN.com website. The series has also expanded to include Soccer Stories, which aired in advance of the 2014 FIFA World Cup, and audio podcasts. This entry refers to the main Volumes of the series presented by ESPN

In 1990, thieves absconded with 13 masterpieces -- including works by Rembrandt and Vermeer -- from Boston's Isabella Stewart Gardner Museum, pulling off the greatest art heist in U.S. history. Rebecca Dreyfus's investigative documentary delves into this modern mystery, piecing together clues gleaned from archival documents, art critics, historians, collectors and informants (both credible and dubious) to shed light on the as-yet unsolved case. Instant QueuePlay Trailer

Additional musical performances from the 1967 Monterey Pop Festival in California, shot for the film Monterey Pop (1968) and released on the Criterion Blu-ray The Complete Monterey Pop Festival.

Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

IRIS pairs legendary 87-year-old documentarian Albert Maysles with Iris Apfel, the quick-witted, flamboyantly dressed 93-year-old style maven who has had an outsized presence on the New York fashion scene for decades. More than a fashion film, the documentary is a story about creativity and how, even in Iris’ dotage, a soaring free spirit continues to inspire. IRIS portrays a singular woman whose enthusiasm for fashion, art and people are life’s sustenance and reminds us that dressing, and indeed life, is nothing but an experiment.

Featuring performances by popular artists of the 1960s, this concert film highlights the music of the 1967 California festival. Although not all musicians who performed at the Monterey Pop Festival are on film, some of the notable acts include the Mamas and the Papas, Simon & Garfunkel, Jefferson Airplane, the Who, Otis Redding, and the Jimi Hendrix Experience. Hendrix's post-performance antics -- lighting a guitar on fire, breaking it and tossing a part into the audience -- are captured.

Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.

This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.

"The Love We Make", a film directed by Albert Maysles ("Gimme Shelter") and Bradley Kaplan, follows Paul McCartney as he journeys through the streets of New York City in the aftermath of the destruction of the World Trade Center on September 11th, 2001. It also chronicles the planning and performance of the benefit concert that took place less than six months after the attacks: "The Concert For New York City".

A concise television portrait of Wes Anderson, observing the filmmaker at work and reflecting on his creative process, influences, and approach to directing during the early phase of his career.

The Maysles' third film about the artists sees them trying to get three projects off the ground: wrapping the Pont Neuf, the oldest bridge in Paris; wrapping the Reichstag; and surrounding eleven man-made islands in Florida with pink plastic sheets. As the latter is the only one that gets approval, it gets the bulk of this film.

Filmed during a studio-organized press junket, "Meet Marlon Brando" observes Marlon Brando as he fields a succession of television interviews meant to promote Morituri. Rather than comply, Brando deflects questions with irony, flirtation, and philosophical detours, subtly undermining the promotional ritual itself. Shot in direct-cinema style by Albert Maysles and David Maysles, the film becomes a candid study of celebrity, media performance, and resistance to commodification.