My Father, the Painter

The action in the film takes place in a remote Bulgarian village. A certain conflict takes place between the new-coming young people and the old villages because of the water.

A quite line in the capital city. A little girl, Veseto, slips out of home unnoticed, attracted by the voices of children playing in the yard. when the kids get tired of playing hide-and-seek, they scatter and Veseto sets out in a long stroll across the city, full of exciting adventures. She talks to a chimney sweep, stops to look at some land surveyors at work, watches an interesting football game at the stadium, enjoys herself at the fair, extemporizes as an actress and has a trying experience on a building site. All the people in the neighborhood start looking for the lost child. In the evening, Veseto reappears. She is back to the arms of her mother, while the people in the neighborhood prove by deeds their human solidarity, their love for children and their resolve to struggle for peace, a must for children's future all over the world.

Nurse Nikolova takes care of the elderly. She faces various human destinies. Her patients spend the rest of their lives alone. They seek from her what they have not received from their own children. They love her. Nurse Nikolova touches on the complex problems of human existence.

A study in human psychology that uses five disparate characters from clearly defined social positions, this film offers as much insight into the society of a changing Bulgaria, as it does into the minds of individuals in conflict. The story centers around transporting a worker's corpse, in a truck, to the mountain village where he was born. In the truck is: a man who may be suffering from tuberculosis, and who has an unfaithful wife at home; a doctor (the intellectual); a bookkeeper worried over the salaries she pays out; a hermit picked up on the road; and the driver who is a rough-and-ready working-class symbol. The seeds for conflict are set both by the personalities of the five in the truck and by their social background. The director Christo Christov, acknowledges his debt to Henri-Georges Clouzot and the Wages of Fear, for inspiration in the treatment of human conflict, its development through a set storyline, and its resolution in each of the five cases.