Muder´s in the zoo

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.

A fugitive hides on a deserted island somewhere in Polynesia. Tourists arrive, and his fear of being discovered becomes a mixed emotion when he falls in love with one of them. He wants to tell her his feelings, but an anomalous phenomenon keeps them apart.

Millenary and figsty, the Yaqui tribe defends its existence. Since 2010, Sonora's government diverts illegally 75 million cubic meters of water from the Yaqui River each year. This situation has sparked struggles and resistances. In parallel, the Yaqui people have seen flooded their territory by methamphetamines. Now they search for answers to these external aggressions in the depths of their cultural identity.

Following the death of his sister, a boy summons the inhabitants of a town to take revenge on the man who murdered her and thus restore the lost order.