Film Portrait

Lamp Unto My Feet is an American religious television program that was produced by CBS and broadcast on Sunday mornings from 1948 to 1979.

A little boy and his sister forced to spend a day at the beach build a sand castle, to the delight and interest of others. Rich black and white photography collides with a novel fantasy sequence combining color photography, stop motion and cutout animation. Equal parts Jacques Tati, A. Lamorisse and (Hill's perrenial favorite) C. G. Jung.

Based on Jerome Hill's unpublished novel, Peacock Feathers, this ensemble piece focuses on the relationship between two aging sisters.

1950 short film portrait of the octogenarian folk artist. Nominated for an Oscar in the category "Best Short Subject, One-reel".

This biographical docudrama traces the life of Dr. Albert Schweitzer, from his birth in Alsace, up to the age of 30 when he made the decision to go to French Equatorial Africa and build his jungle hospital. The latter half of the film encompasses a full day in the hospital-village, following the octogenarian Samaritan in his daily rounds.

In a European seaside village, a maiden takes clean sheets down from the clothesline. Carrying her basket of linens home, she stops to consult a fortune teller. The cartomancienne sees love in the cards. The young woman pauses to reflect. We then see water, swirling, and into view swims a man, as if just appearing on earth. He arrives on shore - is he just in her mind's eye, or is he real? She weaves a garland for her hair. Will they meet?

Jack and Leo vie for the affections of Vera – who appears a little differently to each man – over the course of a series of energetic sketches, flashbacks and homages.

Live-action footage of canaries and beachgoers overlaid with hand-painted effects.

A magic umbrella saves a girl from a mysterious attacker. Filmed in 1927, tinted and hand-colored in the early 60s.

Footage of a bullfight, shot by Hill in 1934, hand-painted by the artist three decades later.

Shortened version of the film 'Snow flight' distributed by Warner Bros. The film was produced by Jerome Hill as 'a document of skiing according to the principles of Hannes Schneider.' It features Otto Lang, director of the Mt Rainier and Mt Baker ski schools. As the film opens, Otto emerges from a cabin beneath Table Mountain at the Mt Baker ski area with his canine friend. He applies wax-on climbing skins to his skis. Then he steps into his bindings and climbs to a scenic ridge. The narrator describes each technique in detail as Otto demonstrates again. Several of the maneuvers are done in slow motion on a slope meticulously packed by side-stepping.

The film was produced by Jerome Hill as 'a document of skiing according to the principles of Hannes Schneider.' It features Otto Lang, director of the Mt Rainier and Mt Baker ski schools. As the film opens, Otto emerges from a cabin beneath Table Mountain at the Mt Baker ski area with his canine friend. He applies wax-on climbing skins to his skis. Then he steps into his bindings and climbs to a scenic ridge. The narrator describes each technique in detail as Otto demonstrates again. Several of the maneuvers are done in slow motion on a slope meticulously packed by side-stepping.

The first student film made at Yale, and one of the earliest student feature films ever made, this adaptation of Henry Fielding's novel was made in the spring of 1927 by a filmmaking collective called the Purity Players, led by S. W. Childs, Jr.

An "autobiographical sketch" centered around small group of vacationers to Hill's estate in Provence-Alpes-Côte d'Azur. A gorgeous and relaxing film-soirée that acted as Jerome Hill's return to cinema after a time away. Workmen construct a walkway to the open air theatre, while friends lounge and hobby, toil and swim.

In 1950 Jerome Hill went to Zurich with the intention of making a film about Dr. Carl G. Jung. The project was abandoned when Hill decided that Jung was not a good subject. After Hill's death, Jonas Mekas edited the film which focuses on Dr. Jung as a person.

“After seeing Taylor Mead’s diaries I can’t look around myself anymore. There is so much to see! So now I sit with my back to nature, like Gertrude Stein.” – Julian Beck, The Living Theatre, Paris.