Poniedziałek

In "Monday" Maniek and Dawid got hold of some dirty money. In "Tuesday" they invest them in a strip club.

The Ten Commandments, exact and uncompromising, literally cast in stone, continues to provide a source of moral conflict in contemporary society. In the ten part collection of films, The Decalogue, Krzysztof Kieślowski examines the dilemma of fundamental sin in the lives of ordinary Warsaw citizens.

A teenage postal worker, Tomek, routinely spies on his older neighbor Magda, a sexually liberated artist who lives in the apartment across the courtyard from his. As their private worlds merge, fascination turns to obsession, and the line between love and curiosity becomes violently blurred.

The early 1980s. A former entertainment industry star is now selling leather goods. One day, he watches a TV interview with a department store employee who smelled gas leaking and prevented a tragedy in time. This gives him an idea. With the support of his journalist friend Lutek Danielak, he begins to organize a series of meetings with the "hero of the year" across the country. He hopes that this will help him make a comeback in the industry. The meetings gain momentum. Lutek accepts the offer to host the final "Miss Polonia" contest.

A famous opera singer comes to his hometown in Poland, where he loses his voice.

A gripping cycle of Polish crime thrillers featuring a stellar cast. Each episode presents a sophisticated story of con artists from different parts of the world. The series is known for its suspenseful action and unexpected endings.

The story of the ups and downs of the magistrate Franciszek Murek. After losing his state job, the protagonist assumes the identity of a foreigner Franz Klamma and makes a career in the aristocratic salons of Warsaw as a master of occultism.

19-year-old Tomek whiles away his lonely life by spying on his opposite neighbour Magda through binoculars. She's an artist in her mid-thirties, and appears to have everything - not least a constant stream of men at her beck and call. But when the two finally meet, they discover that they have a lot more in common than appeared at first sight...

The film deals with the a clandestine Olympiade held in a German POW camp during WW II, housing many Poles, but also French and Brits. A spit and a Polish German lieutenant is added to the staff of a prison camp. He sees a Pole, the acknowledged leader of the Polish prisoners, against whom he had competed during the Berlin Olympics in 1936. He asks the Pole to train with him but is refused; the Pole points out out that he is a prisoner and nothing more. But that plants the seed and the Pole proposes and Olympics 40 to be held among the prisoners. They ingeniously make a flag and medals, set up a number of races; a croaching hop race is unwittingly organized by a German prison guard who uses it as a torture. The German lieutenant knows that something is going on but cannot find out. Finally the Germans realize the idea and the Polish chief is sent to concentration camp but the others disobey the orders.

Laguna was once a great soccer player whose career was interrupted by an injury. He spent years climbing the ranks to become an international referee. He sees the prevailing arrangements, manipulations, and bribery around him. Now desperate, he decides to stage an extraordinary culmination of his career: he wants to create a so-called "miracle Sunday" by "printing" the final round of games - taking substantial bribes from the interested clubs and manipulating the matches so that the results align in the order he set up.

An epic, multi-threaded story about the fate of Poles during World War II. "Czas pogardy" was shown primarily from the perspective of two main characters - Lieutenant Władysław Niwiński and Leon Kuraś - a petty crook, but not without heroic traits. The authors of the series sought to show, in particular, everyday life under Nazi occupation in Poland.

The story of Finnish boxer Joni, who brings up a son Simppa from his relationship with Polish girlfriend Eva. The mother left them years ago and returned to Poland. Eve is about to marry, but she still loves Joni.

In a country house at the turn of a century live a family of eccentrics. Anastasia, the beautiful mistress of the manor, enjoys the amorous attentions of her stepson Blarney so openly that her husband Diapanasius takes out his shotgun and shoots her. The rest of the family accepts her end as a matter-of-fact, and soon - her return as a voyeuristic ghost who interferes with their love lifes. Anastasia has a posthumous son Tadeusz, "born" by clambering out of the tree trunk. Anastasia seduces him too, and drives another men so crazy that they kill her another couple of times. Finally, Tadeusz, the arch-rebel, leads a mob on a raid of the old manor.

Created to mark the 60th anniversary of Poland's regained independence, Andrzej Wajda's acclaimed seven-hour stage production As the Years Go By, As the Days go By... follows two Kraków families between 1874 and 1914.

The main character - a man who suffers from alcoholism - wants to change his tumultuous life. The day before Christmas Eve he receives a gift from his son - a yellow scarf. A gift is a kind of talisman he receives from loved ones, and every time he loses it. When after another banquet he falls into delirium, his ex-wife and secretary bring him to his mother. She helps him to sober up and arranges holiday celebration for two of them. She gives her son another yellow scarf, in belief that it will help him break the pernicious habit.

Jerzy Stuhr Poland s most beloved actor wrote and directed this charming comedy that caters to his image as an innocent caught in a cynical world. Stuhr stars as Gustav, a Krakow professor who is roped into showing a visiting Swedish professor around town. The randy Swede soon tires of Gustav s dull dissertations on Polish heroes and suggests looking for female companionship, but the task proves beyond the skills of the shy academic. Eventually, Gustav calls Isa, an old girlfriend from his distant past who was writing a dissertation on the mating habits of geese the last time they spoke. While Isa is not what the Swede had in mind, Gustav sees his old flame through the rose-colored glasses of time.

In a rural Catholic village, young Gosia tends cattle and lives an innocent, sheltered life. One summer day, while bathing in the river, she is unknowingly observed by a mysterious painter. When he later reveals his portrait of her, Gosia’s initial shame gives way to curiosity, drawing her into an awakening of desire and a confrontation with temptation.