Harlem of the West: Then and Now

Natalie, a disenchanted office worker, lives in the space between dreams and reality. When her dream life overlaps with reality, her dull 9-5 existence is flooded with overwhelming and unexpected desire, and Natalie is forced to sink or swim.

A documentary on a New York City woman who has spent most of her 93 years in the world of movies, TV, commercial, and print media.

First premiering in the 18th San Francisco International Lesbian and Gay Film Festival (now Frameline) and moving on to play every major North American LGBTQ festival between 1994 and 1996, Sophie Constantinou’s playful document of trans man Henry gives first-hand voice to his nuanced experience and extolls the singular joy of wearing a suit.

Just over the border in Mexico is an area peppered with maquiladoras: massive sweatshops often owned by the world's largest multinational corporations. Carmen and Lourdes work at maquiladoras in Tijuana, and it is there that they try to balance the struggle for survival with their own radicalization in this documentary.

From the moment David Brower first laid eyes on the beauty of the Yosemite Valley, he wanted to the fight to preserve the American wilderness for future generations. The story of a true American legend, Monumental documents the life of this outdoorsman, filmmaker and environmental crusader, whose fiery dedication and activism not only saved the Grand Canyon (among other accomplishments) but also transformed the Sierra Club into a powerful national political force, giving birth to the modern environmental movement. Seen through Brower's own eyes - he was an accomplished filmmaker, and his stunning footage is included here-- a 1956 raft trip down Glen Canyon, before its damming, evokes the awful sadness of losing public land we've failed to protect. And in period footage of Brower's early rock-climbs (done in sneakers, with hemp ropes) and of his training in the 10th Mountain Division (who defeated the Nazis in the high Alps).

Race to Nowhere is a film containing stories of young people across the country who have been pushed to the brink, educators who are burned out and worried that students aren’t developing the skills they need, and parents who are trying to do what’s best for their children.

An intimate study of one of the most influential and provocative thinkers of the 20th century tracking feminist icon Susan Sontag’s seminal, life-changing moments through archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, as read by Patricia Clarkson.

When the Civil War ended in 1865, more than four million slaves were set free. Over 70 years later, the memories of some 2,000 slave-era survivors were transcribed and preserved by the Library of Congress. These first-person anecdotes, ranging from the brutal to the bittersweet, have been brought to vivid life in this unique HBO documentary special, featuring the on-camera voices of over a dozen top African-American actors.

A fascinating and unlikely reinvention story, The Royal Road simultaneously explores cinematic spiritual channeling, the conquest and colonization of Mexico and the American Southwest, fading historical Californian urban landscapes, and the passions found in butch identity to achieve an achingly beautiful and poetic defense of remembering. Probing roads from El Camino Real, to the Boulevard of Broken Dreams, to the road right outside the front door, Olson crafts a deeply intelligent and transcending observation of the human condition that reaches for redemption in the embrace of history, nostalgia, mindfulness, and sheer beauty. If you give yourself over to it, it will crack you wide open.

A blending of documentary and experimental narrative strategies, combining stunning 16mm landscape cinematography with a bold, lyrical voice-over to share two San Francisco stories: the history of the Golden Gate Bridge as “suicide landmark,” and the story of a butch dyke in San Francisco searching for love and self-discovery. The Joy of Life is a film about landscapes, both physical and emotional.

Jessie Weston is an ex-con recently released from prison after serving two years for auto theft. He is welcomed back into his small California down by his best friend Dillion and his older brother, Paul. But Jessie is not warmly received by his old girlfriend Mary, whom is the daughter of the arrogant and corrupt sheriff, who was the reason why he locked Jessie up in the first place. When Dillion is murdered by two thugs looking him up for late payments, the sheriff and his MORE murderously corrupt deputy frame Jessie for it in order to organize a vigilante group to hunt him down. Jessie must go on the run, with Mary tagging along, to try to prove his innocence and kill all the bad guys out to kill him.

Harry Hay was one of the founding fathers of the gay rights movement, and for more than 50 years was synonymous with the term "gay pride." Director Eric Slade's documentary about Hay looks at both his life and the movement he did so much to define. In 1948, Hay founded the Mattachine Society in Los Angeles; the goal of the organization was to establish a "Golden Brotherhood," one that sought to redefine homosexuality as a normal, healthy way of life. The problem, Hay famously maintained, was not homosexuality itself, but the way it was treated by society. Dramatizations, photographs, archival footage, and interviews with original Mattachine Society members are all incorporated to tell Hay's remarkable story, one whose legacy continues to be felt in the treatment of gays and lesbians in culture today.

The first major uprising against police brutality, harassment, and societal oppression was not at Stonewall in 1969, but at Compton's Cafeteria in San Francisco three years earlier. Those who stood up were trans women and gay men. Now, nearly 40 years on, Susan Stryker and Victor Silverman tell the story of this oft-overlooked event in the history of American civil rights.

A circle of men on a San Francisco rooftop play the telephone game with a kiss to the strains of a 1940's Dorothy Lamour song.

The film focuses on the light and shadow playing on the walls of the Castro Camera Store, a location in Gus Van Sant’s Milk. The soundtrack features Harvey Milk himself, shortly after his election to the San Francisco Board of Supervisors in 1977.

This short film reveals the inspiration, motivation and political challenges at San Francisco City Hall during the frantic days leading up to the first government-sanctioned same-sex marriage.