Ruins

Ruins

2009 · 60 min · ★ 6.5 · Documentary

Fragments of spaces, buildings and structures, memories and remains of past eras, places of work or leisure now inhabited by our memories alone, or really forgotten. Dead things or living proof of time, natural elements, and human predators themselves.

Directed by Manuel Mozos · Written by Manuel Mozos

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Rui, A teenage boy works in his father shop and has an old brother that is a policeman. His father is about to close the shop, because of money issues, and Rui needs to get money for him and also to help his father. By the hand of a friend he enters in the criminal world to make money.
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A documentary about the life and work of José Cardoso Pires. The information was gathered through a series of interviews made by the journalist Clara Ferreira Alves during autumn and winter of 1997 and also by people who were close to him.
Lovely ChildLovely Child · 1990
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Maria is a sweet child. She hasn’t father and doesn’t like her mother. She has a boyfriend, A bandit who would like to change his class.
Crescei e Multiplicai-vosCrescei e Multiplicai-vos · 2000
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Arabian Nights: Volume 2, The Desolate OneArabian Nights: Volume 2, The Desolate One · 2015
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Scheherazade narrates three more tales, supposedly selected from the 470th, 484th and 497th nights of her ordeal: “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. A runaway murderer will wander through the land for over forty days and will teletransport himself to escape the Guard while dreaming of prostitutes and partridges. A wounded cow will reminisce about a thousand-year-old olive tree while saying what she must say, which will sound none less than sad!
XavierXavier · 1991
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Xavier returns to Lisbon after a military stint, determined to lead a meaningful life, only to find his world closing in on him.
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A family gathers to celebrate Christmas.
A Woman's RevengeA Woman's Revenge · 2012
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Roberto is one of those men to whom simulation has become the greatest art. He is an unmoved, inscrutable, mysterious man. But the truth is that Robert feels an intimate, deep tedium. The boredom of those who have already exhausted all the pleasures of life. The only thing still surprising him is the fact that nothing surprises him anymore. One evening he has an overwhelming encounter with a woman. For his own bewilderment, he discovers the sublime horrors in which the woman has sank.
How Fernando Pessoa Saved PortugalHow Fernando Pessoa Saved Portugal · 2018
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Lisbon, Portugal, 1927. The writer and journalist Fernando Pessoa accepts from his boss the commission to create an advertising slogan for the drink Coca-Louca; but conservative government authorities consider the new drink as revolutionary as it is diabolical.
The Face You DeserveThe Face You Deserve · 2005
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Francisco, behave! I Know it's your birthday, you are thirty now, it's carnival, you've dressed as a cowboy for the school party and you are surrounded by kids you hate. But that's no reason to be so annoying... Francisco, repeat after me: "Up to your 30s you have the face God has given you. After that, you get the face you deserve".
The Mountains of the MoonThe Mountains of the Moon · 1987
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This visually striking drama is taken from the classic Japanese novel Tales Of Genji by Marasaki Shikibu. Set in modern Portugal, Joao (Luis Miguel Cintra) is a left-wing political leader and ladies man with a bright future. His ex-wife Isabel (Manuela de Freitas) both loves and hates him as Joao plays on her wavering emotional state. He is sent to Italy to retrieve wayward family member Antonia (Caroline Chaniolleau), the beautiful young woman with a terrorist boyfriend. Joao is forced to recognize his feelings as the political and amorous climate changes around him.
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Certainly an outstanding case of beauty and mystery, this short film by Mozos creates a strange alloy of literature and cinema, and not in the way one discipline is a vampire for the other, but rather as if they were the different faces of the same coin, drawn to coexist and repel each other. As if every film belonged to a lonely species, Ashes and Embers shows a unique arrogance as it trembles, somewhat defenseless, with no certainty that the folds of fiction constitute any kind of survival guarantee for such strange objects. Memory and ghosts are two words that are easily said, but in this singular and very refined film they seem destined to become the ultimate goal of cinema, and its most endurable desire.
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O que eu vi quando me mostraram a ecografia não acreditei. Dentro do meu útero havia milhares de minúsculos seres, com forma de aranha mas de corpo tenro e flexível. What I saw when the ultrasound was shown to me, I couldn't believe. Inside my uterus there were hundreds of tiny creatures, shaped like spiders, but of flexible and tender body.

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