No Olho do Furacão

Corte Seco, Renato Tapajós' first fictional feature, takes place in 1969 and accompanies Rodrigo, a militant active in the fight against oppression and in favor of the removal of the military government. In this fight, everything was possible: invasion of radio studios to transmit a rebellious message; kidnapping of ambassadors promoted by groups, the so-called apparatuses; assault on banks to finance such activities.

ABC of a Strike captures the 1979 metal workers strikes outside of São Paulo. The footage sat untouched until after the death of highly-regarded director Leon Hirszman in 1987, by which time the material had a new relevance. The gripping film captures the negotiations between the labor unions and the factory bosses and shows the birth of the region’s Worker’s Party, as well as the emergence of its charismatic leader, Luiz Inácio Lula da Silva. Rising from extreme poverty, Lula gained national prominence as a union activist during the late 70s and early 80s. After being jailed during his time as a union leader, he eventually becomes Brazil’s president from 2003 to 2010.

Documentary about the strikes that took place in São Bernardo do Campo, in the State of São Paulo, Brazil, circa 1979/1980. That moment was of utmost importance, since it revealed a Union leader, Luís Inácio "Lula" da Silva, who would later become President of Brazil. It was also the moment when PT, the Workers' Party, became a relevant political force in Brazil.

A sophisticated couple opens their marriage to new erotic adventures.

Documentary on the history of syndicalism in Brazil.

In the late seventies, a group of Brazilian documentary filmmakers traveled to the ABC region in the suburbs of São Paulo with the purpose of recording a wave of worker strikes taking place in response to the negligence of the increasingly powerful and abusive automotive industry. Documenting striking women metal workers, Olga Futemma and Renato Tapajós’ Trabalhadoras Metalúrgicas is a particularly vigorous work among the films produced during this moment in São Paulo worker history. Scenes filmed during the first Congress of Metallurgical Women of São Bernardo and Diadema in 1978 are intercut with images documenting the appalling working conditions against which the women featured in the congress were striking.

The documentary is a production that addresses the evolution of health policies in Brazil, highlighting how health practices were implemented and evolved from being seen as an individual duty to a right guaranteed by the state. The film uses a fictional narrative with period reconstruction and is supported by archival material to illustrate the changes in health policies over time. The film's language adapts to the predominant media of each depicted period, such as newspapers, radio, black-and-white TV, color TV, and finally, the internet. It was produced through the initiative of the Secretariat of Strategic and Participative Management of the Ministry of Health, in partnership with the Organização Pan-Americana da Saúde (OPAS) and the Universidade Federal Fluminense (UFF). It is intended for free distribution, especially focusing on Health Councils, educational institutions, and social movements. A version with Spanish and English subtitles is under discussion to expand its reach.

Documentary about the self construction in peripheral neighborhoods of São Paulo. It gathers statements of residents of three areas: Taboão neighborhood in São Bernardo do Campo; Jardim d’Ávila in Osasco and Jardim Castilho in Embu. The film registers the life conditions in those areas and the sacrifice the workers are committed to in order to fulfill their dream of having a house: building, little by little, with the help of friends and relatives, on the weekends.

Four generations of the Japanese woman: the struggle for survival, the cult of traditions, adaptation to the city and cultural dilution.

Short documentary on workers' movement in Brazil in the 1970s, such as the Movement Against Famine, and the policial repression against demonstrators and activists.

The woman interviewed in Meninas De Um Outro Tempo, who were born at the turn of the century and live in the same nursing home, open up to filmmaker Maria Inês Villares about sex, loneliness and their dead husbands. Villares’s connection to the home is only revealed, obliquely, towards the end of the film. In her words, the film is "a reflection on life when there is little of it left".​

Rescue of the life story of feminist activist from the 1930s, Almerinda Farias Gama, participant in the struggle for the right to vote for women in the 1934 Constitution, and activist of the Brazilian Federation for Female Progress, together with Bertha Lutz.