No Canto Rosa

In 'Os Fotocines', an intimate portrait of the war is built with those who lived it. This documentary feature film aims to investigate who were those, that in the Portuguese colonial war, lived with the simultaneous responsibility of fighting, defending their own lives and also, of permanently recording that same collective mission, through cameras and shooting, as well as screening.

In the countryside of Portugal, groups of strangers found themselves on an artistic and existential journey: the creation of a show that intersects contemporary and traditional dance. The director films these encounters over ten years. He evokes memories, dialogues with life, peeks into the unfathomable in himself and in each character. Trying to hold time, MISSISSIPIS is a manifesto on the vital importance of the encounter – with others, but also of each person with themselves.

World renowned performer Cesária Évora’s voice took her from poverty to stardom. With previously unseen footage and insights into the singer’s life, the film follows her struggles and success.

A deeply moving story about love, loss and literature, this documentary follows the days of José Saramago, the Nobel-laureate Portuguese novelist, and his wife, Pilar del Río. The film shows their whirlwind life of international travel, his passion for completing his masterpiece "The Elephant's Journey", and how their love quietly sustains them throughout.

It all started in Mafalala, a poor neighborhood on the outskirts of Lourenço Marques, Mozambique. A kid kicked into rag balls and did not care much about school. This kid was called Eusébio da Silva Ferreira and would become one of the best footballers of all time.

Sergio travels to Guinea-Bissau to work for an NGO as an environmental engineer on a road project between the desert and the forest. There, he becomes entangled in an intimate yet unbalanced relationship with two inhabitants of the city, Diara and Gui. As neo-colonial dynamics among the expatriate community unravel, this fragile bond becomes his only refuge from an impending collapse into solitude or barbarism.

The legend of Floripes, is about an enchanted moor of Olhão, in the Algarve. Enchanted moors are one of the cornerstones of Portuguese mythology. They are often seductive and being temptresses, they can offer a powerful reward, but also a terrible curse. Left in Portugal during the Reconquista while her family went back to North Africa, beautiful Floripes was condemned to roam her ancient kingdom in the Algarve until a man could undo her curse. Then she would marry him and give him her fabulous treasure. But if the man fails, she must eat his heart.

A documentary that portrays not only the poet and painter Mario Cesariny but as well his life, his journey and his individuality.

One night, a group of workers realises that the administration is stealing machines and raw materials from their own factory. As they organize to survey the equipment and block the relocation of production, they are forced to stand at their posts with no work to do, as a form of retaliation, while negotiations over general lay-offs take place. The pressure leads to a breakdown of the workers along with the world around them.

Previously focused on Asian directors, “Jeonju Digital Project 2007” takes a look at Europe. The Portuguese filmmaker Pedro Costa, the German filmmaker Harun Farocki, and the French filmmaker Eugène Green participated in this project.

A film about a show and the issues the players face during their collective artistic work. Will we ever be able to leave our cocoons towards a collective movement? How strongly do we believe in those who should lead us? How strongly do they believe in us? We try… We fall… We rise… We try once again… Will we ever make it?

A journey through Lisbon’s suburbs through the lives of a handful of musicians establishing their place to exist in a city of complex identity struggles. Different generations and backgrounds meet, Angola to São Tome, Cabo Verde and Guine Bissau represented by old musicians and young producers.

Women of the Revolution is a film that celebrates the multitude of revolutionary women: the mothers of our democracy. Through the voice, gaze, silence, and actions of each of these women, we learn about the richness of their experiences, which together give us a legacy of trust, justice, perseverance, respect, and freedom. These are women who defeated fascism, colonialism, and social inequalities in Portugal and the occupied African territories and transformed the world around them.

The countdown against her body has begun. Despite fatigue and coordination problems, she refuses to give up her passion. Her husband, Igor, watches Diana's progress with concern and tries to make her understand the importance of dealing with the disease and making changes in her life. Terrified, feeling guilty and unable to accept her new reality, she ignores all the hands reaching out to help her and makes a superhuman effort to remain independent.

Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.