Ride or Die

After starting at an upmarket boarding school, a teenage girl forms close friendships with her two older roommates. However, when she discovers that her new friends are lovers she finds herself caught in a complicated situation.

This Hour Has 22 Minutes is a weekly Canadian television comedy that airs on CBC Television. Launched in 1993 during Canada's 35th general election, the show focuses on Canadian politics, combining news parody, sketch comedy and satirical editorials. Originally featuring Cathy Jones, Rick Mercer, Greg Thomey and Mary Walsh, the series featured satirical sketches of the weekly news and Canadian political events. The show's format is a mock news program, intercut with comic sketches, parody commercials and humorous interviews of public figures. The on-location segments are frequently filmed with slanted camera angles.

Lawyers must defend a prisoner accused of murdering two of his inmates during the Attica prison riots in 1971.

A woman claims she had an affair with a married neurosurgeon and stands trial for allegedly harassing him.

Legendary actor Patrick McGoohan turns his famous character from THE PRISONER upside down as the psychiatrist in charge of an insane asylum. He has connected his inmates into a group mind where they share each other's psychoses, dreams and sexuality with all the scary and titillating implications imaginable! Like his highly acclaimed cult classic MASSACRE AT CENTRAL HIGH, director Rene Daalders provocative excursion into sci fi-horror filmmaking looks at first glance like a classic grindhouse movie, but it is up to much more. In addition to its operatic mayhem, HYSTERIA is a mind-expanding reflection on individual vs. group consciousness, power, control, and freedom.

Rival film actresses Ruth Wescott and Norma Eastbrook are cast opposite each other in a campy, dramatic thriller. But, as competition and jealousy brews between the two stars, the line between the silver screen and reality starts to blur.

Bit Playas follows Ahmed and Leon as they spend their days hustling in the casting room, working jobs in the real world, deflecting the occasional “soft racism” and dealing with their own identity crises.