Palimpseste sentimental

"For Les Heures d'argent, des illuminations, I have tried to make an installation of the conditions in wich sudden images appear, to interrogate oscillatory phenomena such as presence, disapearance, and to represent them in a luminous way. Thus, the research consists in revealing in each sequence incredible light situations wich, as suggested by the title, sometimes depend on atmospheric accidents. Each sequence, as if it where an Illumination will reflect light as a phenomenon. Among these, let us mention mirage, scintillation, dazzle and radiance - manifestations with a halo. Finally, the selected poetic fragments from Rimbaud's Illuminations introduce words that create acoustic sparkles within the space and tension with the image. They do not only increase the semantic potential of the image but also, and hopefully, add starlight to it." - Suzan Vachon

Chant [dans les muscules du chant] is a video composed primarily of film archives from the first half of the twentieth century. The product of careful and selective research literally enflamed by the conceptual motor “film flame”.

A feminine character stages fragments of paintings through dance. The metaphoric body constitutes the essence of this artwork. Two narrations are conjugated in the present and in the past : one speaks of the human quest for survival and the threat of man's intervention in nature, while the other evokes a wild nature where characters and animals are emerging. Paintings of Caravagio, Della Francesca, and Douanier Rousseau overlap the two accounts.

A videopoem on a text by Hélène Monette.

A question of perspective, 1958 - 1992. In an elliptical train of fragmentary and associative imagery, Discours des comètes explores the difficulty sometimes experienced in the act of distinguishing dreams from memory; this ambiguity is called troubled vision. Images pass, comets: small and luminous bodies traced onscreen; luminous, glorious, celestial orbs, firing deep impressions. Pregnant memories, boats, men, virtual drowning, anguished dreams. Now, as then, dream and memory give their accounts.