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A school bus with young children being kidnapped. Commissario Betti will solve the case. High action is promised, including hostage, bank robberies, car chases, prison scenes and mafia bosses!

A detective sick and tired of the rampant crime and violence in his city, and constantly at odds with his superiors, is finally kicked out of the department for a "questionable" shooting of a vicious criminal. However, he is soon approached by a representative for a group of citizens who themselves are fed up with what they see as criminals going unpunished, and they make him an offer he may very well not refuse.

A young man falls in love with a girl from whom he hides the fact that he is already engaged to a mature upper-class lady. To win her over, he hires two actors to portray his parents.

Two detectives are hired to discover if a rich industrialist is having an affair. The detectives pose as a gay butler and as a female cook in order to spy on all of the happenings within the house.

In a school where the meeting seems more complete sampling of teachers and professors stupid airhead, there is the class of Peter, repeating in life, which is the "grandfather" to the far more young companions concerning jokes and vulgarity. Even outside the school walls, in the family or in the streets of the village where he lives, Peter is not far behind and his antics continue to freewheel.

Bill learns that his father, during the American Civil War, was accused of theft and killed. Convinced of his innocence, Bill discovers the true robbers.

Django, bounty killer, hunter and repentant bandit wants to start a new life. No more bullets and blood, after years of killing and horror. Django wants to replace the sherrif and restore law and order to lawless land, but faces the history and bloodshed of his own past. Helped by the love of the daughter of a bandit Django can finally bring his life of violence to and end and spend his days in peace... If he can live that long!

After Malukan immigrants engage in a string of corpse mutilations at various New York City hospitals, a doctor and a morgue assistant travel to the Maluku Islands to investigate.

Giggi is a city boy convinced that "in life you must always hit first". And, good or bad, he gains a certain popularity between beatings, dates and blows taken.

Commissario Paolo Ferro (Maurizio Merli) stars as a (typical) tough cop again. This time he returns to the city of Milan to go after a murder corporation. Acampora (Mario Merola) is believed to be the prime suspect although he later proves to be one of the mafia's targets. As if all that wasn't enough, Paolo has to face his own nephew who seems to be involved in all sorts of dirty business.

Reverend Miller arrives in Tucson where he wants to build a church. But on the very day of his arrival a gang carries out a raid on the bank and the people of Tucson, who are suspicious of the new reverend because he carries a gun, immediately blame him for the robbery. The sheriff saves him from lynching by putting him in jail. Then he asks the priest to find the gang and the booty; thus Miller becomes the Reverend Colt. His exceptional skill means that he can shoot hats off people's heads and their pistols from their pockets, but he never kills.

Gioia is a buxom centerfold working for Pussycat magazine. In such a profession, having an admirer or two is expected, but Gioia's admirer is a vicious killer! He murders her fellow magazine models one at a time, using a variety of twisted implements of death. Gioia is the lucky recipient of a collection of photos, each with murdered bodies arranged around posters of her.

Pierino has again flunked the exams. Therefore, his desperate parents send him to boarding school.

Good-natured and devout, a French house painter takes the train to Rome, where he has decided to go on a pilgrimage. There he meets a scatterbrained dresser who has been assigned by a music hall star to bring her the gown she is to wear on stage. The two men get stolen by Cleo, a charming thief. Once in Rome, the painter finds himself penniless and the dresser without the gown...

In the tenth year of the Trojan War, tensions between Achilles and Agamemnon divide the Greek camp while giving hope to the Trojans.