Son of a Rich 3

Grigory, born into an oligarch family, is so spoiled that he believes he's above the law. When he faces jail, his father decides to 'rehabilitate' his son. An abandoned village is reconstructed, 19th century style. Grigory 'goes back in time', reincarnated as a serf, to learn how to appreciate life and to work hard.

Grigory, the son of an oligarch, is fully rehabilitated after his humbling experience as a 19th-century serf. Moreover, he develops a strong sense of moral justice. When he meets a pampered young socialite named Katya, he is abhorred by her insolent escapades. Grigory transports Katya “back in time” to teach her a valuable lesson about humility.

Garik Kharlamov, Azamat Musagaliyev and Denis Dorokhov discuss current events every Saturday evening, joke and communicate with the guests of the show.

Klim Shipenko is making a film about Lomonosov starring Pavel Derevyanko. But the actor is overtaken by a creative crisis, and for inspiration he goes to the homeland of the scientist whom he sees in his fantasies. Pavel settles in the house of the Belovs, whose head Egor earns by physical labor. The appearance of Derevyanko changes the usual way of life of the locals: Egor is afraid of losing his wife Masha, their daughter Polina falls in love with a celebrity, and deputy Kholmogor builds an election campaign with the help of a star.

A new head of the obstetric department, the young and talented Natalia Bakhmetyeva, is joining the experimental scientific and medical center. On the first day of work, she causes a storm of emotions among her new colleagues. Natasha admires them with her undeniable professionalism and outrages them with her tough character.

USSR, June 1985. After contact with the Salyut 7 space station is lost, cosmonauts Vladimir Dzhanibekov and Viktor Savinykh dock with the empty, frozen craft, and bring her back to life. Based on actual events.

Zina stubbornly goes on dates, flirts with strangers on social networks and bypasses the dance floor, because she doesn't dance well. But one day it is her turn to shine with happiness. In the life of Zina, a man finally appeared, and that very ideal one. Flowers, restaurants, gifts - a true gentleman, gallant boyfriend and a big fan of Matisse (Pavel Derevyanko) is in a hurry to please all her whims. And everything would be fine, but the protracted platonic relationship does not suit Zina, she wants something more. But for some reason, the gentleman is in no hurry with closeness. And for that he has his own reasons.

Michael and Dima, or Dima and Michael are childhood friends. They grew up together, share a business together, live next door to each other, even their children play together. They are the very best of friends and have a truly unbreakable bond… or do they? On the eve of their children’s wedding a dark secret emerges, shattering their friendship and turning best friends into lifelong enemies.

Thoracic surgeon Evgenia Belyaeva has one month to prepare for a flight to the International Space Station, where she must operate on a crew member. Will she be up for the challenge? Can she overcome her fears and insecurities? Will she be able to perform the complicated surgery in zero gravity, and give the cosmonaut a chance to return to Earth alive?

Grigory, born into an oligarch family, is so spoiled that he believes he's above the law. When he faces jail, his father decides to 'rehabilitate' his son. An abandoned village is reconstructed, 19th century style. Grigory 'goes back in time', reincarnated as a serf, to learn how to appreciate life and to work hard.

Ilya Goryunov has spent seven years in prison on false charges of drug trafficking. When Ilya is free he realizes that the old life that he yearned for is no more. Although he did not intend to take revenge on the man who sent him to prison, now there is no other way out.

Grigory, the son of an oligarch, is fully rehabilitated after his humbling experience as a 19th-century serf. Moreover, he develops a strong sense of moral justice. When he meets a pampered young socialite named Katya, he is abhorred by her insolent escapades. Grigory transports Katya “back in time” to teach her a valuable lesson about humility.

The devil can be smart, charming, articulate, a philosopher, a critic, an ideologue, sarcastic, sarcastic, angry, and forgiving. Especially if it is played by Fyodor Bondarchuk. Or does he not play it?

A wealthy pharmaceutical business owner, Edik is used to managing and controlling. But fate brings him an unexpected surprise. The unemployed artist Petrovich, who decided to say goodbye to life, falls from the roof of a skyscraper onto a brand new expensive businessman’s car. Is the miserable life of a loser worth that kind of money? Moreover, he will never be able to return them. But debt must be received at all costs, for Edik it is a matter of principle, forgiving others is not in his rules. Edik decides that Petrovich will work for him for free, he has every right to do so, because he is a real master of life. Or does he only think so, and everything can change at any second and turn over exactly the opposite?

Aleksey must decide what's better for him - a regular life with his fiancé Alyona or adventurous life with a famous journalist Irina.

Nadya, a young girl from St. Petersburg, is living and learning in London. Suddenly she decides to pay an unexpected visit to her boyfriend Zhenya.

A rich hotel owner hires a director to create an 18th-century village set. He drugs and kidnaps his spoiled son, leaving him to believe that he time-traveled as a punishment, hoping to teach his son humility by living as a peasant under surveillance.

Investigator Sergey Shumov has a mystery on his hands. On a platform near a Moscow-Sevastopol train station the police have found a young man without documents and no memory. In near perfect detail, he can recall historical dates, songs of his favorite band, but can't recollect his name or say where he’s from. And frustrating Shumov’s search for answers even further are the young man’s personal belongings that offer not one clue to his identity.