Pagi Yang Sungsang

This work is an attempt to overcome alienation amidst the fragmented construction reality of everyday narrative. Rethinking the meaning of reflections and shadows, framed subjects, body movements, screen, as well as sounds that are constructed by connecting the expression of their existence with the history of representation in modern art.

This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.

A snapshot of friendship between three women, when one had unexpectedly pass away.

Siwalaya, which means the nature of Shiva. A place where birth, glory and destruction are in perfect circle lines. In Siwalaya there are worship buildings that have stood for centuries; experiencing changes in natural and human history. For those of us who live today, what is the meaning of these buildings that are hundreds of years apart in culture and time?

In 1965, Indonesian artist Amrus Natalsya was one of the many artists arrested during the violent purge of communists and their sympathisers, after the failed coup by the September 30th Movement. Natalsya was released in 1973.

Dancing lines, dancing eyes, dancing camera, dancing body, dancing spirits.