Amidst

In 1938 two young architects, Ragnar and Martta Ypyä, known as Y and Mirri, buy an 8mm camera. Together, they start filming the everyday life of Vyborg. But one year later, life in Vyborg changes irrevocably. The Soviet Union attacks Finland. The Winter War has destroyed the city. Mirri flees to the countryside; Y stays in Vyborg, helping to repair the bomb damage. But they carry on filming.

Two middle-aged women on a tennis court. One experienced, the other one not so much. One hour match. The psychological game starts. Match is a film about in direct and direct aggression and how to finally express suppressed feelings.

A short film about communication.

Shelter (Suodji) is an adaptation of an old story from Utsjoki, Sápmi, to the present. It is a legend of what the director´s relative, Ovllá-Ivvár Helander, did during the Spanish flu epidemic in 1918 in Utsjoki. Ovllá-Ivvár decided to fool Death and take his fate into his own hands. Today we are facing similar threats. The protagonist of the film is walking in Ovllá-Ivvár´s footsteps. But at the end, who its really who?

Sorrow Tamers is a documentary about people who have chosen to face sorrow without avoiding it or running away from it. The film is about love, change, sorrow and abandonment.

Reconstruction tells about a certain night in 1982, reconstructed in 2020 by the people who lived it through together. The film combines dance, drama and documentary, but most of all is a story of a friendship of a boy and a girl, and how jolly situations can turn sour and how, even though close, friends do not share same experiences – and that can have an effect on their friendship.

Child No. 182 is a documentary film about child protection practices in Finland in the 60s and 70s. It tells the story of a little girl who is placed from orphanages to summer colonies and foster homes. The film is based on the reports of social service officials and other authorities and is shot mainly on 8mm film. Director Camilla Roos makes a deep dive into her own childhood from her birth to when she was 8 years old.

Sara Hildén was maybe an artist, from Tampere, or maybe a patron? A business woman? Most of the Finnish people add her name into Sara Hildén art gallery, but her story included much more.