La Brigada – A Mural for the Unidad Popular in Dresden

Gáspar is a public employee and Rebeca works in a funeral home,they reflect the discontent of a generation that has suffered the vicissitudes of Chile in the 1980s. Through it, the film explores how the working middle class survives such a convulsive environment.

This short animation collage uncovers the financial backing of the Chilean Junta bosses by the US. Screened at the 1976 Oberhausen Int. Film Festival.

This silhouette-animated short exposes the Pinochet government through comparisons to Hitler's Nazi regime.

This film visualizes humanity’s quest to relentlessly pursue goals. In the human fight for progress, the march forward cannot be stopped, even when individual people become weary and die. This animated short is based on a poem by the Chilean filmmaker and poet Juan Forch. Chilean painter Hernando León created the design.

The Mapuche tribe asks their Gods for help in difficult situations, including illness and drought. When the Spanish conquerers on their horses invade their country, the indigenous people think that they are aliens. The Spaniards capture and enslave many of the Mapuche tribe. Lautaro, a young captured native, realizes that these aliens are human beings without any divine power. He learns to use their weapons and organizes a resistance movement against the intruders.

This short, animated piece of agitprop fiercely expresses the hopes of the Chilean people.

Combining collage animation and live action, this short depicts the achievements of the Chilean people under the Allende government and the subsequent reversal of this progress following the military coup. The collages were created by East German media artist Lutz Dammbeck; the Chilean artists Juan Forch and Vivienne Barry did the animation.

A portrait of the summer vacation of some young Chileans from different socioeconomic statuses during 1984.

Playing children are hit by the neutron bomb. Their clothes remain behind which a business man collects and puts up for sale.

Video that records the play "Macías, general essay on power and glory" by Sergio Marras. Monologue in which an actor face the audience to give life to the role of Macías, a dictator of an imaginary country but who suffers from the “misunderstanding” of his detractors and enemies. A text full of profound observations about the despotic use of power. This video participated in the Fifth Franco-Chilean Video Art Meeting, Santiago de Chile, November 1985. U-matic Project

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.