Love/Juice

The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.

Tamako is 20 years old, lives at home with her mother (Kishimoto Kayoko) and teenaged brother, and simply refuses to grow up. Ever since her father left the family, she's stopped trusting people, and now lounges around in her own small, claustrophobic world. Wearing an iron helmet whenever she steps outside, she ventures only to her mom's beauty salon, the mechanic shop, and the bakery - the source of her greatest joy in life, sweet buns. Her world is static, insular, and safe, and there's no need to change - that is until her cat runs away, the bakery closes, and her mom falls in love with another man.

Nanako returns to her hometown on the tiny island of Aguni to meet her grandmother Nabbie. However, when Nanako's ferry arrives, it is also carrying Nabbie's former lover, who has returned to Aguni after a long absence.

Umi’s hearing is so sensitive that even notes played slightly out-of-tune give her a headache. Violinist Yuko arrives from Tokyo to play a concert on Umi’s small island near Okinawa, and gradually befriends the girl. Both struggle with friendships and family relationships, but are brought together by music.

Fourth installment in Deka Matsuri omnibus series. 8 films.

Second installment of omnibus series Deka Matsuri. 10 films made under the conditions "The main character must be a female detective" "the film must be less than 10 minutes long" "at least five gags must be included"