Adabana

An author travels to a remote library in search of inspiration.

Thirty years after aboy's disappearance, a journalist revives interest in the case, which in turn compels the victim's brother to look for this woman's daughter in the snowy hinterlands of northern Japan. This sets off a series of events that causes the brother and the woman's daughter to glimpse the truth that has been concealed by their vague and painful memories.

Seizo, a doctor, and his beautiful younger wife, Reiko. At first glance, they appear to be a respectable and amicable couple, but Seizo suspects that Reiko has a young lover. One day, the couple goes to see a new Noh play, "The Curse of Ondine," organized by a medical association. At the venue, Reiko catches the attention of a man, and even the young man at the reception desk gives her a heated look. "Reiko says, "Noh is boring," but Seizo warns her not to fall asleep, since the audience is all related. However, when the Noh play begins and Reiko looks at Seizo, she finds that he is asleep. From this point on, the world of death in the Noh play and the world of life in which the two people exist become parallel. Reality and unreality intersect as if the two are acting out a Noh play, and the secrets hidden in their daily lives begin to seep out.

It is an unexpected, and therefore unshakable, the perfect love relationship between a human and an animal. That is the core of the film's persuasiveness, and everyone who watches it will agree. In just one scene, you are overwhelmed by the eroticism that his relationship with the owl radiates. Death is brought into focus in the scene where Pellet explains the relationship, but the clean images and restrained narration, which make even this seem effortless, accentuate the eroticism of the relationship. A semi-documentary created by the director's owl, which she has kept for 14 years.