The World in Three Dimensions

Jimmy Higgings is a worker of the plant making weapons for the Tsarist Russia and the German Empire. During World War I, Jimmy speaks at a spontaneous rally against the war. He is arrested. When released, he becomes unemployed. He is happy to hear the news about the revolution; he volunteers into the American expeditionary force thinking that having the weapons he can fight against Germans – the enemies of the Russian revolution. However, finding himself in Russia, Jimmy soon realises that the expeditionary force of American volunteers fights not against the Germans, but against the young Socialist Russia. Without any hesitations, he takes the path of revolutionary struggle, he spreads propaganda among the American soldiers and distributes Bolshevik leaflets. Captured by the American military police, Jimmy Higgings does not betray his friends. He is sentenced to twenty years in a military prison. Jimmy cannot stand it and loses his mind. Lost movie.

During the NEP era, the ex-wife of a White officer, now married to a dedicated Soviet worker and lover to several bourgeois “specialists”, is expelled by her husband’s party for her affairs. Meanwhile, the commissar’s wife, once captured by White Cossacks, helps her husband lead a prisoner revolt and later serves as an exchange inspector on the commodity exchange. When she exposes the director’s fraud and her husband is wrongly implicated, both are reassigned to the provinces and depart together. Considered lost.

Two business travelers, Laptev and Rusakov, staying at a small town hotel, were surprised by the care that the service staff showed them. It turns out that the hotel administrators, lazy and bureaucratic, accepted the new guests as capital auditors. But it soon turns out that the real auditor has been living in one of the rooms for three days and has already started working as a hotel staff member.

Major timber merchant Yegor Bulychyov is terminally ill. In his house, he is surrounded by insignificant and greedy people, impatiently waiting for his death. Clever and insightful Yegor understands that he lived his whole life with strangers. He protests in his own way against the dissimulation and hypocrisy of the "masters" - the clergy, liberals, against the foundations of the bourgeois society that is going to collapse. Bulychyov's dying curse drowns his class in the powerful sounds of a revolutionary song.

A poetic story about a country teacher and the challenges and triumphs he encounters as he strives to educate young people in a way that awaken both their minds and their emotions.

During the agrarian collectivization process in the Soviet Union, Vasyl, a peasant member of the youth division of the Communist Party, gets a tractor with the help of a local party organization and plows private boundaries on kulak fields. However, this enthusiasm will cost him dearly.

Wartime documentary by Dovzhenko and Solntseva.

The film-remembrance of the creative fate of the Ukrainian Soviet film director Alexander Dovzhenko, shot on his diaries. It has his statements about his work, about the role of the artist in society, his plans and sources of inspiration, his artistic style and the peculiarities of his worldview. Used excerpts from his films and documentary footage taken during the director's life, as well as filmed fragments of the unfinished scripts " The Death of the Gods” and “Tsar”.

A young man travels to Mars in a rocket ship, where he leads a popular uprising against the ruling group with the support of Queen Aelita, who has fallen in love with him after watching him through a telescope.

Cheered up by the revolutionary zeal, courage and energy of their leader, Nikolai Alexandrovitch Shchors, in 1919 the peasants and workers' groups gathered in the civil war- devastated Ukraine, to defeat the foreign conquerors and enemies of the revolution. However, it does not take long until a new danger threatens: this time the Polish Pans enter Ukraine, and General Dragomirov marches to Kiev. Shchors, however, gathers the revolutionary forces of the country and brings them to a victorious counter-attack.

About the life of the Russian biologist Ivan Michurin. 1912 year. Having rejected American offers to work abroad, Michurin continues his research in the Russian Empire, despite the fact that his ideas are not perceived by the tsarist government, the church and idealistic science. Michurin is supported by prominent scientists of the country and he continues to work hard. After the October Revolution, a small Michurin garden in the city of Kozlov (the biologist's homeland) becomes a large state nursery.

A 1943 Soviet war propaganda film by Ukrainian director Oleksandr Dovzhenko and Yuliya Solntseva. It is Dovzhenko's second World War II documentary, and dealt with the Battle of Kharkiv. The film incorporates German footage of the invasion of Ukraine, which was later captured by the Soviets.

As she works in her tedious office job, Maria Ivanovna dreams about being married, and she has particular hopes that her co-worker Nikodim Mityushin will take an interest in her. Nikodim, though, is in love with Zina, who sells cigarettes on the sidewalk, and he frequently buys cigarettes from her even though he does not smoke. One day, a film crew uses Zina as an extra in an outdoor scene, and the cameraman, Latugin, falls in love with her. Latugin soon arranges an acting job for Zina. To complicate matters further, Zina has yet another admirer in Oliver MacBride, an American businessman who is visiting Moscow.

Based on the novel of the same name by Oleksandr Dovzhenko. About the childhood of the famous Ukrainian film director Oleksandr Dovzhenko, who was born on the ancient lands of Chernihiv, along the banks the Desna. The film consists of two parts. The first is the world shown through the impressions of the six-year-old Sashko. The second is the recollections and reasoning of Sashko, now an elderly colonel who liberates his native village during the war.

About hardships of the first years of War, which fell to the lot of ordinary people in Ukraine, who got under the yoke of fascist occupation, and heroic struggle against the invaders. A young Russian woman asks a Red Army soldier to spend the night with her in the wake of the Nazi invasion. Fearing she may soon perish, the woman hopes for one night of romance before what could be a horrible demise.

A wartime documentary directed by Alexander Dovzhenko and Yuliya Solntseva, depicting the final campaigns that drove Nazi forces from Ukraine in 1944–45. Combining frontline footage, liberated cityscapes, and scenes of returning civilians, the film chronicles both the devastation of occupation and the triumph of Soviet arms. It stands as both a historical record of the Ukrainian front and a patriotic celebration of victory at the close of the Second World War.