Dreaming the Path

After his girlfriends' suicide, Gediminas moves back to his single mother living in a block of flats opposite Kaseta's home. In his attempt to make himself oblivious, the young man works as a taxi driver at night. Grief, self-reproach, mother's alcoholism and illness (epilepsy), pestering and cynicism of the clients picked up from night clubs toss Gediminas into an emotional abyss. The painful experience dissolve the tiny bits of his fragile wish to live. He visits a psychologist, a psychiatrist and a self-group for families of suicides, but one day he breaks down. At a crucial moment, the old Kaseta spots Gediminas through his telescope.

Director Jonas Vaitkus speaks boldly, openly and politely in front of the cameras. This is how he talks about his long career. It dares to expose itself, without missing the creator's suffering, nor the endless doubts, nor the indescribable joy of success. Fights with actors and Shakespeare remained side by side in the memory of the 70-year-old Maestro. This is his story. From the first premiere to the last performance.