Cab Calloway Home Movie #5

Long-running anthology program sponsored by Hallmark Cards. Beginning in 1951 and continuing into 2019, the series received 80 Emmy Awards, 24 Christopher Awards, 11 Peabody Awards, 9 Golden Globes, and 4 Humanitas Prizes. Early seasons were a weekly live drama, eventually transitioning to videotaped and then filmed productions broadcast as occasional specials.

Young Cab Calloway's mother is concerned, because Cab spends his days listening to the radio, pretending to lead a miniature orchestra. A deacon passing by the apartment hears him singing and advises him go to his wife's gypsy tea room. As she reads the tea leaves, she sees situations which lead to Cab and his orchestra performing musical numbers.

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

Will Handy grows up in Memphis with his preacher father and his Aunt Hagar. His father intends for him to use his musical gifts only in church, but he can't stay away from the music of the streets and workers. After he writes a theme song for a local politician, Gogo, a speakeasy singer, convinces Will to be her accompanist. Will is estranged from his father for many years while he writes and publishes many blues songs. At last the family is reunited when Gogo brings them to New York to see Will's music played by a symphony orchestra.

The top brass at a radio station believe their popular new star singer is paying more attention to his love life than to his career.

An up-and-coming poker player tries to prove himself in a high-stakes match against a long-time master of the game.

Mantan Moreland hosts a series of filmed song, dance and band numbers by various artists, mostly released previously as individual "soundies".

Neurotic Broadway star Al Jackson faces professional ruin when he loses his voice. While recuperating in the country, he falls in love with farm girl Ruth Haines, the pretty aunt of precocious little Sybil Haines.

The relationship between an aspiring dancer and a popular songstress provides a retrospective of the great African-American entertainers of the early 1900s.

Trouble starts when the queen's magic mirror says Betty Boop is fairest.

Betty Boop and Bimbo run away from home, but that night they are scared by a chorus of ghosts singing the title song.

As dancer Ginny Walker performs on stage, a veiled woman in the audience stands up, accuses Ginny of stealing her husband and then fires a gun at her. After Ginny collapses and is taken to her dressing room, the woman, Julia Westcolt, a friend of Ginny's, dashes backstage, discards her veil, and then congratulates her friend on their successful publicity stunt. When Ginny's press agents, Gus Crane and his son Junior, visit their client backstage, she brags about her feat and chides them for not being more creative in promoting her. Horrified at Ginny's brashness, Junior, a conservative Harvard graduate, chastises her and leaves the room.

This jazz musical short has a comedy plot about marital infidelity. Bandleader Cab Calloway plays a ladies man who dates the wife (Fredi Washington) of a train porter who is frequently absent from home. Calloway and his Orchestra perform "Zaz-zuh-zaz" and "The Lady with the Fan" at the Cotton Club in Harlem.

Passengers who search for romantic nights aboard a beautiful ship travelling to tropical or mysterious countries, decide to pass their vacation aboard the "Love Boat", where Gopher, Dr. Bricker, Isaac, Julie, and Captain Stubing try their best to please them, and sometimes help them fall in love. Things are not always so easy, but in the end, love wins.

Cab Calloway plays himself in a plot about jealousy, night clubs, and gangsters. Ends with a series of musical numbers.

A reporter interviews Max Fleischer about his creation, and Betty illustrates with excerpts from three prior cartoons.