豪快三人男

The Domain: Where The Blade Enters

The Domain: Severed Relations

The Domain: Kanda Festival Showdown

Action and adventure abound in this story of friendship between two rival firefighters, Kichigoro and Jirokichi in old Japan. When Mukai Sadayu, the vassal of Kaga Clan's accounting officer, Shinagawa Daihachi demands that Omon serve him tea in his mansion and she refuses, the clan's samurai abduct her setting in motion a series of events that will bring the two firefighters into a world of danger and excitement. Jirokichi, leader of the Edo firefighting team "Ha-gumi" must first rescue Omon from the clutches of the vile Kaga Clan's retainers.

Hanakosan (1943, TOHO, MAKINO Masahiro), a thoroughly light and joyful musical comedy, influenced by Busby Berkeley films, against the national policy under the wartime, was made into a film from comic serials by SUGIURA Yukio published in a magazine.

A classic battle between good and evil pits an unscrupulous fortuneteller who has been preying on the good citizens of Edo against a master-less samurai who founded a school for underprivileged children in a poor neighborhood. Into the mix comes a young woman running away from a forced marriage disguised as a teenage boy and becomes a student of the beloved Sensei, while he staves off the advances of a skilled pickpocket and prepares for a bloody showdown against a direct retainer of the shogun!

The Domain: White Blade

This is Kanjûrô Arashi's first film with Nikkatsu after his independent production company went bankrupt (many of these independent companies went bankrupt shortly after the transition to sound). As he is mostly famous for his portrait of Kurama tengu (and on the other hand, he's the definitive actor for Kurama Tengu as well), Nikkatsu made another version of Kurama tengu, co-directed by Masahiro Makino & Sadatsugu Matsuda who are both sons of Shozo Makino. Scripted by Yoshitake Hisa, a jidaigeki specialist who later scripted several Toei All-Star Jidaigeki.

The tale of Nakayama Yasubei’s duel is famous, even if he in reality probably did not cut down 18 opponents. The story has been related in film, rakugo, kodan and on stage many times, in part because Nakayama later joined the famous 47 Ronin (Chushingura) as Horibe Yasubei. But Makino and Inagaki’s version gives no hint of this more serious future, playing up the thrills and the comedy with Bando’s bravura performance. The multiple pans of Yasubei running to the duel are an exemplar of the experimental flourishes of 1930s Japanese cinema and the final duel, performed virtually like a dance number, is a marker of Makino’s love of rhythm and one of the best sword fights in Japanese film history. The film was originally released under the title Chikemuri Takadanoba (Bloody Takadanobaba) with a length of 57 minutes, but suffered some cuts and a title change when it was re-released in 1952.

Jurobei, a kaisen tonya (wholesaler in port) in Awa, was wronged and killed on the day of the Dance Festival by the evil merchant & the chamberlin. His brother (Kazuo Hasegawa) vowed vengeance on the day of his brother's death. So every year the villains are worried during the Awa Dance Festival (which is part of the Obon festival), but nothing has ever happened, until seven years later...

The Ni Family is the most well know and respected group of firefighters in the Kanto region. When their leader dies and the successor disappears, Tsuruji, a beautiful yet tough geisha, becomes the boss. But will she be able to confront a yakuza gang trying to take over the area?