Inland

The Fence is a cry! In the aftermath of the civil war which bloodied Algeria, Tariq Teguia interviews the young people of Bab El Oued who express their anger. In the fixed shots in which they testify, Tariq Teguia alternates wanderings in a car which extend those of Ferrailles d’anticipations. And it is the violence of confinement that dominates, coupled with the desire for something impossible elsewhere.

Ibn Battuta works as a journalist for an Algerian daily newspaper. While covering community clashes in Southern Algeria, he finds himself incidentally picking up the trail of long forgotten uprisings against the Abbasid Caliphate, back in 8th-9th century Iraq. For the purpose of his investigation he goes to Beirut, a city that used to embody the hopes and struggles of the Arab World...

Algeria seen as a constant construction site. The eye moves through the chaos of the Algerian architecture, where most of the buildings are left incomplete. This is an essay on photography and video, but also on graphics and music.

"For more than ten years, Algeria has been living a slow war, a war without a front line but having caused more than 100,000 deaths. It is this desert that Zina and Kamel – two young Algerians sometimes hallucinated and joyful, sometimes dejected and serene – will want to travel one last time before leaving it for elsewhere. Road Movie on the territories of a city, Algiers whose construction sites are in decline. Roma wa la n'touma will show that fleeing abroad is not is not a refusal of combat, but an obscure struggle against assignment. Tariq Teguia

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.