Johan är död

Jan Troell portrays the friend and photographer Georg Oddner. For more than half a century, from 1950 arriving in New York, Georg Oddner has lived with his camera.

The story of a wife who, due to an identity crisis, leaves home and man.

Inger gets pregnant by an American man who then abandon her. Maskot moves in with Inger and she wants them to start a relationship, but Maskot has other plans. He and his friends conduct several robberies and uses Inger's apartment as hideaway.

Poetic documentary about the polar expedition of S. A. Andrée which Troell had previously dramatized in "Ingenjör Andrées luftfärd" (1982).

Twenty-five films from twenty-five European countries by twenty-five European directors.

The first genocide of this century occurred during the first World War, when 1.5 million Armenians were killed, and an entire nation was driven from its land. Back to Ararat is the first film to examine this tragic episode in depth. Traveling from the old ruins to new Armenian communities around the world, the film presents a people united in its dream of returning to its homeland. But no one will listen to their arguments. In fact, Turkish representatives in the film argue the genocide never took place. Back to Ararat is a powerful reminder of a global injustice which has gone unaddressed.

Pianist Hans Pålsson is asked to write music for his friend Claes Eklundh's artwork. A documentary which shows the two men and their creating processes, and their interpretations of each others art.

Ekelöf's Blick is a film about swedish poet and mystic Gunnar Ekelöf. The film is an attempt to visually articulate how Ekelöf saw things, a world characterized by an enigmatic beauty never previously formulated in such a way.

Fia is 18 years old, pregnant and has just moved with her boyfriend to their first apartment in a suburb. Alone she tries to navigate the society of adulthood for the first time.