The Separation

An authorized stop-motion sequel to Jörg Buttgereit's 1993 movie "Schramm", called scenes from the Afterlife of Lothar Schramm, who was the centre of the feature film.

During a chicken picnic, Yellow Guy gets upset after Green Bird kills a butterfly. Yellow Guy then meets a butterfly that takes him on a journey to discover his concept of love.

Bobby Yeah is a petty thug who lightens his miserable existence by brawling and stealing stuff. One day, he steals the favourite pet of some very dangerous individuals, and finds himself in deep trouble. He really should learn, but he just can't help it.

The first short made by Robert Morgan, made using a VHS camera and some rough puppetry.

A man watches a hypnotic movie on a television while holding a gun in his hand and the atmosphere becomes increasingly rarefied.

The story of a cat who, legend has it, longs to become human.

A man in a decaying room looks at an old photograph of himself and tries to recreate the happiness he once felt.

While filming a Teddy Bear in stop-motion, a man accidentally unleashes supernatural dark forces. A short horror film by Robert Morgan

In this continuation of the Basket Case saga, Belial has a rather unsavoury dream…

Ella Blake, a stop-motion animator struggling to control her demons after the loss of her overbearing mother, embarks upon the creation of a film that becomes the battleground for her sanity. As Ella’s mind starts to fracture, the characters in her project take on a life of their own.

A segment from the feature film – ABC’s of Death 2. A condemned man attempts to win a second chance at life.

Taking all that was great from the first instalment, the movie aims to be a wilder, leaner, faster-paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.

Shmuel, a Hasidic cantor in Upstate New York and distraught at the untimely death of his wife, struggles to find religious solace, while secretly obsessing over how her body will decay. As a clandestine partnership develops with Albert, a local community college biology professor, the two embark on a darkly comic and increasingly literal undertaking into the underworld.

Set in a world not unlike mid-20th century America, The Vandal centers on Harold, whose tormented search for peace from traumatic loss results in an unexpectedly destructive awakening after he undergoes a lobotomy. When the procedure “turns his mind inside out” and his great love is suddenly gone, Harold’s desperate search intensifies.

A subhuman creature watches a girl from afar, deeply in love, and tries to woo her by sending a gift – a magic, semi-living mask. Alarmed at first, she soon enjoys the sensual powers of the mask, but rejects the creature when he reveals himself to her. With a broken heart, love turns to bitterness, and his gift’s powers become malicious.

Stan is a troubled child with a vivid imagination. He lives with his mother and sister near a mental hospital, which fills him with horror. His nasty older sister thinks Stan is a nuisance and threatens to kill him. When it becomes night, all the impressions come back in nightmares.