Pol Pot Dancing

500 rooms and thousands of daily visitors: the Medici’s treasure chamber containing icons from antiquity to the late Baroque period is a place full of (art) history. It survived two world wars but must now reinvent itself in order to remain an enduring audience magnet.

Treating a trumpet as if it was a portion of fish and chips is not basic culinary research but an audio-activistic intervention that lends a voice to British fishermen’s opinion towards Brexit. And the title ‘audio activist’ is very fitting for the British composer Matthew Herbert. ‘A Symphony of Noise’ provides an insight into Herbert’s thoughts about how we should hear the world and presents amplified sounds of teeth being pulled out, a pig being born, and a swimmer crossing the English Channel. The controversial and political samples become a part of a live performance at the Berlin night club Berghain, which makes the listeners both grate their teeth and dance along. Matthew Herbert wants us to listen to the world afresh, and it is a pretty fantastic experience.

RHYTHM IS IT! records the first big educational project of the Berlin Philharmonic Orchestra under Sir Simon Rattle. The orchestra ventured out of the ivory tower of high culture into boroughs of low life for the sake of 250 youngsters. They had been strangers to classical music, but after arduous but thrilling preparation they danced to Stravinsky's 'Le Sacre du Printemps' ('The Rite of Spring'). Recorded with a breathtaking fidelity of sound, this film from Thomas Grube and Enrique Sánchez Lansch documents the stages of the Sacre project and offers deep insights into the rehearsals of the Berlin Philharmonic Orchestra.

In 2007, the Berliner Philharmoniker celebrated their 125th anniversary. Film director Enrique Sánchez Lansch took this occasion to tell a hitherto unknown chapter in the history of the Berliner Philharmoniker: the years of National Socialism from 1933 to 1945. The film, “The Reichsorchester”, made in collaboration with musicians of the orchestra and its archive.

With nearly 450 years of tradition, the Staatskapelle Berlin is one of the oldest orchestras in the world. Daniel Barenboim has served as its music director since 1992, and in 2000 the orchestra appointed him Chief Conductor for Life. Having already performed important cycles such as Beethoven, Brahms and Schumann together, Daniel Barenboim and the Staatskapelle turned their focus toward Anton Bruckner's last six Symphonies, performed in the Philharmonie Berlin in the course of only one week in June 2010. This music is more serious and more significant than one had thought, the Berliner Zeitung summarized in its review of Daniel Barenboims celebrated Bruckner cycle with the Staatskapelle Berlin. Bruckners unfinished Symphony No. 9 brought to an end, in a poignant manner, the work of one of the greatest symphonic composers of the Classic-Romantic era.