Ginger & Rosa

England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.

What happens after the curtain falls on the death of Mimi, tragic heroine of Puccini's La boheme. In Thriller, Mimi teams up with the opera's comic heroine Musetta to investigate her own death.

Various individuals think they’re coming together for a party in a private home, but a series of revelations results in a huge crisis that throws their belief systems – and their values – into total disarray.

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

A young refugee travels from Russia to America in search of her lost father and falls in love with a gypsy horseman.

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

A mysterious woman recruits a Cabinet doorman and an ex-civil servant for a plot to bring down the British government.

She is a scientist. He is a Lebanese doctor. They meet at a banquet and fall into a carefree, passionate relationship. But difficulties abound because of his heritage and her loveless marriage. She flies to Havana to sort things out on the beach and in the cabarets. She sends him a ticket, but harbors no illusions that He will join her in this Caribbean melting pot.

An avant-garde examination of the relationship between women and money in society, mixing musical, silent melodrama, and philosophical treatise into a heady, post-punk brew.

The film follows 24 hours in the life of father and daughter Leo and Molly, as they weave their way around New York City, until their ordinary but stressful day takes on a hallucinatory and epic quality.

Imagining October explores art and politics in the final years of the Cold War, drawing connections between pre-Perestroika Russia and Thatcherite Britain. The title refers to the 1917 Bolshevik revolution and Sergei Eisenstein’s propaganda film October: Ten Days That Shook the World 1928. The project began during a trip to the Soviet Union sponsored by the British Film Institute in October 1984. Jarman was invited to present The Tempest in Moscow and Baku with fellow filmmaker Sally Potter and film theorist Peter Wollen and asked in return to make a short film for the London Film Festival in November.

Film shot one frame at a time, of three faces, including a brother and sister, which merge to become one, followed by a short sequence of minimalist gesture.

Rehearsals for a fundraising gala become the arena for a struggle between two men; one, the gala director and the other, a richly talented but unstable rock drummer. As their battle for expression and control escalates against a relentless rhythmic backdrop, their public and private selves explosively collide.

A schoolboy uses his cellphone camera to shoot intimate interviews with people working at a New York fashion house and secretly posts them on the internet. Result: a bitterly funny expose of an industry in crisis, during a week in which an accident on the runway becomes a murder investigation, and denial leads to devastation.