Sinceramente, Gae

Eduardo de Filippo narrated for the first time by his family. Through unreleased photos, videos, letters and stories of his grandchildren we discover the real Eduardo.

The documentary tells how Bonaparte's passion - sometimes Bonaparte's obsession - for art and knowledge, has changed the face of modern culture: from the birth of schools, libraries and public museums (including Brera and the Louvre) to foundation of Egyptology thanks to the Egyptian campaign, from the extraordinary archaeological discoveries to the looting of works of art, up to the paintings and sculptures dedicated to him. We will enter the mind of Napoleon and his literary predilections, his psychology, his immoderate passion for self-affirmation, which so much inspired men of power, intellectuals, dictators over the following centuries.

A new look at Van Gogh, through the legacy of the largest private collector of artworks by the Dutch painter: Helene Kröller-Müller (1869-1939), who, in the early 20th Century, ended up buying nearly 300 of his works, paintings and drawings included.

In 1891 Gauguin left Marseille for the Pacific, marking the beginning of a journey towards the essence of life and art, and forging his destiny as one of the greatest modern painters who ever lived.

Biography on Sigmund Freud

Kha, architect and builder of tombs for the pharaohs, must undertake the journey to the Underworld. Telling us the story of his voyage is Jeremy Irons, in the guise of a narrator. His words take us inside the secret world of Egyptian mythology, religion and funerary culture, interweaving the story with the history of the oldest museum in the world, the Museo Egizio in Turin, founded in 1824 and will soon be celebrating its 200th anniversary. In fact, the Kha’s own Tomb is to be found in Turin along with the most complete and most valuable private collection of grave goods outside of Egypt.

Livio Garzanti: a difficult and moody man, a brilliant and highly cultured publisher. Toni Servillo recounts his two worlds, the publisher’s and the private, which intertwine in the choices and ideas of an intellectual who hated rhetoric and cultural snobbery, always preferring surprise, provocation, and the truth, even if disturbing.