Roberto "Polaco" Goyeneche: Las formas de la noche

On October 5, 2010, Alejandro Bordón was arrested by a police officer on his way to work. After a brutal beating, he was taken to Police Station No. 6 in Lanús, where he was informed that he was accused of the murder of bus driver Juan Alberto Núñez.

In January 1959, around 9,000 workers at the Lisandro De la Torre state-owned meatpacking plant began a strike against its privatization. While President Arturo Frondizi traveled to the United States, an unprecedented popular uprising erupted in the Mataderos neighborhood. The documentary chronicles the testimony of the protagonists of the now legendary takeover of the meatpacking plant to analyze the close ties that meat, politics, and violence have had throughout Argentine history.

Musical documentary based on the stories of four women who studied to become nurses in the school of the Fundación Eva Perón in 1948, which was one of the institutions that helped pave the way for change for women in Argentina. The testimonies from the protagonists are reenacted in the form of a musical, in a film that combines archival footage and choreography.

Bernardo has turned 90 and is working to realize a dream: to make a film about art. He spends countless hours writing the script. He understands it's an arduous and complex task: What is art? When is there art? What is the purpose of art? Antonio, his friend, decides to collaborate, lending his knowledge and experience to the project. Marcelo meets Bernardo through Lucy, his partner of over 60 years, and finds him deep in his work, immersed in the uncertainties, frustrations, and joys inherent in any creative process. Watching him work, something of Bernardo's dream awakens in Marcelo a desire, another dream. He offers his help, while also asking to be able to capture Bernardo's daily work with his own eyes, thus creating his film. A dream that gradually shifts from the work Antonio sculpts on Bernardo's camera to Marcelo's gaze.

Why is the bombing of Buenos Aires a forgotten event? Why was such a massacre carried out? Why were the victims never remembered? Is the bombing on June 16, 1955, a prelude to the violence that the country would experience in the years to come? These are all questions that the documentary seeks to answer through the voices of some of its protagonists and the reflections of cultural, journalistic, and political figures in the country.

Tucumán 1975, a milestone in Argentine history and what would be one of the most tragic events intersect: the SMO (Compulsory military service) and the "Operative Independence". Through the story of those young people who made the "Colimba" we learn about their experiences, from the day of the raffle to the details of life in the barracks and the transfer to Mount. "SMO, the forgotten battalion" tries to rescue from the oblivion imposed by official history, those young loons who lived those bloody years of our history from a trench in which destiny placed them, in a random way, through a lottery.