Longing for Light

It begins with a chance encounter between Ro and Ju on a film set. A conventional love film? The characters not only change bodies, identities and desires over seven countries. They struggle with perceptions of themselves and others, fail because of bad scripts, a lack of visas, social expectations or their own demands. The film shows that love is both individual and universal at the same time. It shows diversity in action and not only dispels prejudices about gender relations and sexism in different corners of the world, but also touches on topical issues such as the war in Ukraine. The film is an ode to love and a declaration of love to filmmaking. Film sets, the madness and confusion of film production and the excitement before the premiere are also themes of the film.

Elena, a fisherwoman from the Empordà region in Catalonia (Spain), struggles to keep alive the craft inherited from her family, but it becomes harder every day, and her livelihood risks disappearing.

Women of mature years talk about their marriage, their first time, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own lack of marriage, of children, and with it, a chain of mother-daughter relationships that is dying out.

Agatha has just started University, but she still sees her old school friends, sharing parties, private secrets, trips, jokes and debates. A private world full of memories that she will now have to measure against her new college friends and the changes that she’s begun to discover in herself. The film Agatha’s Friends is the portrait of a group of 20-year-old girls during their first year at University as seen through Agatha’s eyes. From their lives in Barcelona to a trip up the coast to the Costa Brava, where Agatha will feel how the world she built with her childhood friends Carla, Ari and Mar, has begun to change.

A documentary that collects the diverse voices of the lesbian community in Catalonia. A genealogy which comprehends four generations, and a very intimate journey through intertwining lives, allowing us to understand what is it like to exist within a world made of heterosexual structures whilst belonging to the LGBTIQ+ collective. Otherness is an emotional and contemporary material bringing to the screen other possible lives we might never have thought of.

When a man returns from a vacation in Amsterdam, the reunion with his boyfriend turns out to be a bit tense.

They are in their thirties but live just as they did in their twenties. They are in love with love but, in their search, they tear each other apart, wandering from ex-girlfriend to ex-girlfriend, from relationship to relationship.

Luna runs away from home in the middle of the night. In an unexpected encounter with a group of drag queens, she redefines her concept of family.

In the aftermath of the death of the filmmaker Chantal Akerman on October 5th, 2015 ten directors remember, rethink and reoccupy in their own way the imagination of the Belgian director. A small collective tribute from Barcelona and Iruña, made with love.

What situations of violence do lesbians experience today? How do they face them? What are the underlying problems? What reality permits them to keep happening? What answers and strategies can we produce and put into practice as a society to do away with this and other forms of discrimination? Ten individuals explain their experiences and points of view, building a choral testimonial to bring male sexist violence against lesbians into the light, analyze the underlying problems, and seek responses and strategies to put an end to lesbophobia in conjunction with other types of violence.

A rebirth in the middle of the night through the first encounter between Saó and Juliana, where vulnerability and seduction intertwine to pave the way for a promising tomorrow.

A community of women lives in an old convent that falls apart. They never talk and strive to keep everything clean. One day, Irene realizes for the first time that there is much more beyond the routine she and her sisters keep doing over and over. Irene, following nature’s signs, starts a journey of reconnection with her own impulses and body to finally find her own voice.