The Cherry Orchard

Brand's a bleak and desolate play that challenges the notion of a stern and stoic faith in the will of God. The title character is a pastor who returns to his ancestral home to find the villagers on the verge of starvation. He believes ministering to these poor people to be his calling. Over the course of the play, however, he faces many difficult choices. The decisions he makes, based on his stark and idealistic view of morality, have dire consequences for all the people he touches and, ultimately, for his own embattled soul.

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

An aging King invites disaster when he abdicates to his corrupt, toadying daughters and rejects his one loving, but honest one.

An aging Southern Belle complicates life for her ambitious son and crippled daughter because of her own warped views of what life should be.

Influenced by concerns about overpopulation, the counterculture of the 1960s and the societal effects of television, the play depicts a world of the future where a small elite control the media, keeping the lower classes docile by serving them an endless diet of lowest common denominator programmes and pornography. The play concentrates on an idea the programme controllers have for a new programme which will follow the trials and tribulations of a group of people left to fend for themselves on a remote island. In this respect, the play is often cited as having anticipated the craze for reality television.

A BBC television anthology series featuring productions of classic and contemporary stage plays usually broadcast on BBC1. Each production featured a different work, often using prominent British stage actors in the leading roles. The series was transmitted from October 1965 to September 1983.

A megalomaniac dictator, in charge of a former colony, installs a nuclear bomb in its London Embassy. He threatens to set it off, unless a huge ransom is paid. The question for the government is whether he will set it off anyway?