Mais Tarde

A writer becomes the main character in the story he intended to write

A historical fiction series that, from the biographies and cultural and civic intervention of the poet Natalia Correia, the editor Snu Abecassis and the journalist Vera Lagoa (pseudonym of Maria Armanda Falcão), recalls the last years of the Estado Novo (Second Republic) - 1961 to 1973 - from the beginning of the colonial War to the eve of the April Revolution.

The story takes place in São Paulo, in the late 1920s, and has Mariano's memories as its starting point. Orphaned, he loses the aunt who raised him and ends up in Madame Iara's brothel, where he meets two people who transform his life: Esmeraldo, a gigolo who loves the good life who becomes his master; and the prostitute Guadalupe, known as Lu, a sweet and extremely sensual woman. Esmeraldo is Lu's boyfriend, whom he loves unconditionally. Mariano enters the couple's lives and ends up falling in love with her, thus forming the love triangle that drives the entire narrative.

Alentejo, Portugal, 1950. In a desolate region, where the wind seems to speak, where misery and hunger reign over poorest, a desperate man takes his revenge on those who caused his ruin during the darkest night, unable to get honestly the bread needed to feed his family in the daylight.

A director struggles with a difficult sex scene between a young actor and actress who can't stand one another. Aided by her loyal assistant, she is hell-bent on getting the scene right without compromise.

While three brothers, heirs of a hotel owner, want to restore the glamour of yesteryear to the establishment, a Health Department official tries to find a way to close it down for good.

A woman seeks the blessing of her wealthy father when she becomes engaged.

Five workers on an assembly line at a large company based in an airport challenge the impossibility of changing the social division of labor, carried out in accordance with the classical principles of specialization and segmentation.