Live and not die in Copenhagen

A high-crime investigator goes to the scene where corruption and crime have taken on new and sophisticated forms in the mountainous southern region of the country. Under the guise of a random train robbery, individual cars loaded with waste from metallurgical production - and essentially enriched gold ore - are stolen. The kidnappers have all the means at their disposal. They mercilessly kill those who try to stop them from stealing tons of gold...

Portrait of a typical European feminist - Olga Lipovskaya (1954-2021), journalist, translator, poet, founder of the women's non-profit organization St. Petersburg Center for Gender Issues (an educational and resource center for women and women's organizations), editor of the samizdat magazine Women's Reading.

Returning to his native village, a demobilized paratrooper learns that his brother has become a victim of a drug mafia. He decides to avenge his death and goes to the city...

The events in the film revolve around the children's railway. Young railway workers have to confront the hooligan actions of a group of teenagers. One of them, Kamil, detained after another attack on an empty railway station, gets acquainted with her boss, Tahir Usmanovich, and young railway workers. Having met with their sympathy, a good attitude towards himself, Camil overestimated his actions and brought his friends to the children's railway.

The hero of the painting is a young man who is engaged in deciphering ancient cuneiform inscriptions. His life flows exactly according to schedule, everything is predetermined, calculated, taken into account. But suddenly events begin to develop so rapidly, unforeseen circumstances assert themselves so completely that Yunus cannot get to his own wedding for a whole day and becomes an active participant in many events taking place on that day in the city...

Having gone to Samarkand in search of traces of colonial culture, of which there were quite a few left there, having carefully photographed them, we suddenly discovered that it was not the dead buildings that were much more interesting, but the living carriers of this very colonial culture. The result is a film about people who live on the ruins of an empire.

Karimov is dead - but we are not yet. Tashkent of the post-Karimov era.

About Russians living in Fergana, why they are not going to leave and what they see as the meaning of their presence on the land of Turkestan

Chronicles of the cultural life of Tashkent (2007 – 2015). From the murder of Mark Weil to the wedding of Alisher Usmanov. Tashkent Biennale, apartment buildings, video art festival, conversations about nothing, amateur performances and operational shooting, advertising and much more. Tashkent, which no longer exists, just as these people are no longer in it.