Ai to kanashimi to

Inochi uruwashi

During the early days of the war a young student, Makito (Kazuo Funaki), falls in love with Yuko (Mayumi Ozora), the widow of a naval officer. She, however, is living with the memories of her husband and it is her younger sister, Yumiko (Nana Ozaki), who grows fond of the student. Then, one day, a young naval officer, Tadayuki (Ken Ogata), a friend of her late husband, comes to see the widow and she becomes attracted to him. Though Makito is inspired to study for the navy, he is much upset when he learns that Yuko and Tadayuki are to marry.

A former naval officer returns to Japan after the Second World War ends, encounters the former mistress who ratted him out, and reconnects with his daughter.

Four unlucky pirates head to a weather tracking station set on a remote island with the intention of holding the weather trackers as hostages and assaulting their next incoming supply ship; but at the station they are told that a serious typhoon is on the way, so the ship will be delayed.

Machiko and Haruki’s drama continues. Machiko is not allowed to see Haruki. They finally meet again, but Haruki departs to Europe.

The film portrays the experiences of Takashi Nagai as a survivor of the atomic bombing of Nagasaki.

Machiko Ujiie and Haruki Atomiya first meet and fall in love on Ginza’s Sukiyabashi Bridge during the Great Tokyo Air Raid in March 1945. Machiko and Haruki pledge to meet again at the bridge in six months but part without asking each other’s names.

This movie is based on an immortal literary work "The Snow Country," a story about a life of geisha Komako who lives in a region with heavy snowfalls.

Machiko and Haruki’s drama continues. Two meet again in Hokkaido only to be separated again.

This period film is inspired by one of the most notorious scandals to have taken place in Edo-period Japan. The heroine, Ejima, was a lady of the Ooku, the harem of Edo Castle in which the Shogun’s mother, wife and concubines resided, forbidden from contact with any other man except in the presence of the Shogun. The institution played a key role in the Byzantine world of Japanese court politics during the Edo era. In 1714, Lady Ejima was sent to pay her respects at a Buddhist temple in the city, and chose to pay an unauthorised visit to the kabuki theatre – a violation of protocol that was to have tragic consequences.

Based on the novel of the same name by Seichô Matsumoto.

A 1948 Japanese film.