Lonely Boy

This documentary short offers a nostalgic look at the steam locomotive as it passes from reality to history. In its heyday, the big smoke-belching steam engine seemed immortal. Now, powerful and efficient diesels are pushing the old coal-burning locomotives to the sidelines, and the lonely echo of their whistles may soon be a thing of the past.

This short documentary features Canadian contralto Maureen Forrester as she sings at the Festival Casals, a musical event founded by the great Spanish cellist and conductor Pablo Casals and sponsored annually by the Puerto Rican government. Part concert film, part tourism film, Festival in Puerto Rico offers viewers candid glimpses of mid-20th century Puerto Rico intercut with performance footage of Forrester and her husband, violinist-conductor Eugene Kash.

This short documentary profiles cartoonist, painter, humorist, publisher, iconographer, and teacher Jacob Maydanyk. Part of the first wave of Ukrainian immigrants who arrived in Canada between 1896-1914, Maydanyk was an imaginative artist who created the beloved comic strip character Shteef Tabachniuk, a hapless and endearing galoot who became a folk hero to Ukrainian immigrants. Laughter in My Soul is a tribute to the dignity and heroism of those early pioneers and to those whose spirit lives on, to those who had laughter in their souls.

Canadians in search of the national identity will not find it fully fleshed in this film. An animated cartoon, it sees Canadians as pragmatists, adaptable to whatever climate or history place in their way. It is a boisterous, bubbling analysis of the Canadian character and, although it may not answer the question of the title, it does leave the feeling that being Canadian is not so exhausting as one might expect.

A light, humorous look at the motor car and the great North American itch for a place on the road. From the comparative peace of Honest Joe's used-car lot, this film hustles you onto our public speedways, where hot rubber erases any distance between all points. Slow-motion and pop-on-pop-off photography make this a provocative, revealing study of motormania unlimited. A 1960 black and white production. (Also released under the title 1/3 Down and 24 Months to Pay.)

Here is a graphic picture of the tobacco harvest in southwestern Ontario. At the end of July, transient field workers move in for a brief bonanza when the plant is ripe. The tobacco harvesters call it "the back-breaking leaf."

The Greek myth retold with film animation, accompanied by music for flute. Music, drawing, colour and movement here follow a moving, classic restraint. Daedalus, inventor of many things, provides the wings to escape from Crete, but Icarus, his son, impetuously flies too close to the sun. In this film, artist and composer share equal pleasure in the telling, with a feeling the audience will share. A film without words.

Rousing tales of the North-West Mounted Police are brought to life through photos and artists' sketches. In 1873, the North-West Mounted Police were established to maintain law and order in the North-West Territories. They undertook a trek from Fort Dufferin, south of Winnipeg, to Fort Whoop-up, near present-day Lethbridge, Alberta. The force raised the flag and proclaimed the Queen's Law, ensuring that the Canadian West would not become a lawless, American-style frontier.

Nose and Tina are a couple in love. The film captures the domestic details of their life together and documents their hassles with work, money and the law. The unusual bit: He is employed as a brakeman, and she as a sex worker.

A performing arts film by Alanis Obomsawin, it documents efforts to raise funds for the James Bay Cree and was made at a time when Cree territory was threatened by hydro-electric projects. Amisk represents early work by Obomsawin, a trailblazer in Canadian Aboriginal film.

A portrait of Hamilton, the Pittsburgh or Birmingham of Canada. This is a rich and colourful subject that encourages imaginative treatment on the screen. The heart of the city is the immense complex of furnaces and rolling mills, but nearby are the lake, the mountain, and the rich fruit farms. How the work of the steel mills touches the city and its surroundings is shown in many views during both day and night.

Ukrainian-Canadian Ted Baryluk's grocery store has been a fixture in Winnipeg's North End for over 20 years. In this photo study, Ted talks about his store, the customers who have come and gone and the social changes his multicultural neighbourhood has seen. But most of all he wonders what will become of his store after he retires. He hopes his daughter will take over, but she wants to move away. The film is a wistful rendering of a shopkeeper's relationship with his daughter and a fascinating portrait of a neighbourhood and its inhabitants.

A study of life at Christmastime in Moose Factory, an old settlement mainly composed of Cree families on the shore of James Bay, composed entirely of children's crayon drawings and narrated by children.

This short film brings together animated interpretations of four poems by great Canadian wordsmiths: "Riverdale Lion" by John Robert Colombo, "A Kite Is a Victim" by Leonard Cohen, "Klaxon" by James Reaney and George Johnston’s "The Bulge."

In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec, sets the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness.

In this Oscar-winning short film, Norman McLaren employs the principles normally used to put drawings or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower.