Chroniques labradoriennes

A retired actor pitches a story to a Hollywood producer about a meeting he had with a man he believes was Elvis Presley.

Set in the Faubourg à mélasse district of Montreal, Quebec, in the 1950s, the film centres on a conflict between the Roman Catholic Church and a young team of baseball players.

A seemingly idle guy and an unprincipled girl to whom everything seems to come easily will see their lives sealed in a brutal way.

A friendship between a good man with bowling as his only passion and a queer albino.

Against the voracious concrete and a ruthless developer, a poet stands tall, the last bulwark against oblivion, like a Gaul defying Caesar. He gathers voices from the past, revives memories, and weaves an ode to Ville Jacques-Cartier's working-class heritage, a haven where hopes and struggles once echoed.

An actor works as night watchman at a film studio where a musical serial killer strikes.

In Montréal's east-end, a group of over-grown kids, disappointed in their lives, spend their time hanging out on street corners, patronizing bars and frequenting seedy apartments and back alleys.

Brother Marie-Victorin, founder of Montreal’s Botanical Garden, is bored with heaven and decides to return earth to help former agronomist turned beekeeper Albert save Quebec’s flora from a multinational that is poisoning the Earth with chemicals.

In a poor neighborhood, teenagers plot an assassination while a party is being organized for the local usurer.

Tragicomic portrait of a bar's owners and patrons in a poor Montreal neighbourhood.

Through an immigrant cab driver, our world collides with a nervous filmmaker, a lawyer whose new breasts her ex-boyfriend wants to see, a mystery man, a gay man who might or might not have AIDS, and a birthday girl who got stood up. It is a mixture of laughter and sadness, all floating on a sea of philosophy.

In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows the romance between a young filmmaker and a bearded lady from a local circus during the 1960s. The story begins in a contemporary theater where a projectionist describes, to movie director Rex Prince, the ghostly spirit that seems to be haunting his film. The story then races backward to the 1960s when a half-mad, idealistic Rex was busily making his first film, a Marxist tract depicting poverty in Montreal. Edouard Dore, a well-connected editor works with him and it is he who takes Rex to a carnival late one night to meet the performers in a freakshow. The first person Rex meets is Le Grand Zenon, a hulking one-eyed fellow with the amazing ability to use his eye to project movie images on a screen with neither a projector nor film.

A working-class family fights a greedy developer for control of their neighborhood.

Manon, is obsessed with famous writer Chester Celine, who hails from Wyoming. Manon learns Chester is coming to town and becomes a slinky, svelte temptress

In this tragicomedy, Toni is the director of a staged rendition of Othello in Montreal. It is a pet project of his, financed by his loving mafia uncle. Unbeknownst to him, the audiences are also rounded up (and paid) by the same uncle. Some of them have seen every performance of this tragic play, and are understandably bored, so when the backstage romantic shenanigans of the actors result in absurd situations onstage, the audience is delighted. There are a huge number of romantic situations going on in this film at the same time. One of them involves Gaston a somewhat world-weary jazz musician, and Florence, a glamorous middle-aged woman who has been pining for him for years. Another involves to members of the musician's jazz trio. Yet another involves the play's Desdemona, Soledad, the girlfriend of the man playing Othello, who can't keep his hands off his (female) dresser.

Montreal, 1940. The Second World War is raging in Europe. Pierre Sauvageau, 22, would like to enlist, but he has to take care of his twin sister, crippled from birth. This proximity awakens the sensuality of Berthe who tries to seduce her brother. Pierre rejects her advances, but when he falls in love with Marguerite, his best friend's girlfriend, he is haunted by the fantasy of his sister.