Cuando llega la noche

1964: Kamoken Cemetery

In 1964, following the landing of around thirty men intent on overthrowing him, the Haitian dictator Duvalier launched a campaign of terror to deter peasants from joining the rebellion, composed of men from the Southeast region where they had settled. Over 50 years later, the peasants recount their story for the first time.

Far Away

In a remote corner of Santiago de Cuba, a family of Haitian origin celebrates the goddess Erzulie in prayer and dance. The family shares the pain resulting from the tragic history of Haitian migrants who work in the Cuban sugar industry.

Anba Dlo

Nadia is a Haitian biologist living in Cuba, researching local wildlife. Until she receives a visit from deep waters, and the Cuban forest begins to speak in other languages. On that day, Haiti never seemed so far from Nadia.

Patuá

To break a spell, Maya invokes the spirit of Ayo: a former love who is turning into an egum, to help her create a Patuá, a Yoruba spiritual protection amulet. Together they invoke their ancestors, thus allowing Maya to continue with her life, while Ayo completes her journey to the world of the dead.

Land Without Bread

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.