Scenes From a Divorce

A naughty young boy shoots the ball sadistically at his disabled grandfather after being left alone with him. Mother punishes him after discovering what happened, but the aunt’s intervention makes him ponder what the family may mean and how his aggressive mother made him blindly angry

"Mother married a photo of Father," says director Firouzeh Khosrovani in the opening of this deeply personal documentary. She's not speaking metaphorically though. Her mother Tayi literally married a portrait of Hossein in Teheran -he was in Switzerland studying radiology and was unable to travel back to his homeland for the wedding. The event illustrates the abyss that still exists in their marriage: Hossein is a secular progressive and Tayi a devout, traditional Muslim.

A Five-Part Documentary About Iranian Food Culture. Each Part Focuses On a Different Dish and Explores its Cultural Background in Iran Through Characters, Music, and Archival Footage. Part 1: Abgoosht, Part 2: Fried Egg, Part 3: Baghali Ghatogh, Part 4: Kabab Koobideh, and Part 5: Sandwiches. In Each Part, the Film Explores Memories and Traditions, Revealing the Social Contexts Associated with Each Dish

Young mother Maryam is getting ready one morning, trying to balance preparing her child for the day while her husband begins an exercise session. But then her husband calls out from the other room, trapped underneath a heavy weight he was lifting. His life in the balance, Maryam initially makes a few attempts to help, but the weights are too heavy and stuck. She watches as he dies before her eyes giving her a moral dilemma, and a chance to remake her life.

In a secluded house by the sea with the curtains shut, a screenwriter hides from the world with only his dog as company. The tranquility is abruptly broken one night by the arrival of a young woman fleeing from the authorities. Refusing to leave, she takes refuge in the house. But come dawn, another unexpected presence will change everything.

The young Iranian woman had not been expecting this kind of examination. She only wanted to renew her driver’s license, but when the officials noticed a scar on her wrist and her tattoo, they began looking at her with suspicion. Suddenly she is trapped, forced to answer personal questions and exposed to insinuations. The camera captures the growing uneasiness with clinical precision.

Two fugitives in contemporary Iran encounter citizens across the country, all wounded by the same corrupt government and all united in their willingness to help the pair survive.

In a conflict ridden Kashmir, a Muslim half-widow finds herself, her 11 year old daughter and ill mother-in-law in a crisis when she attempts to get her missing husband's death certificate

Three lonely people, each looking for love in their own ways. This is hard enough in any big city – never mind in Tehran, where individual freedoms can’t be taken for granted. In a sexy voice on the telephone, an overweight receptionist seduces men who wouldn’t look twice at her real ‘me’. A former bodybuilding champion now earns a living as a personal trainer. When he develops feelings for a promising young sportsman as a client; he drops everything else; even a very promising acting job for a well-known French director. A singer at religious funerals is dumped by his fiancée. He tries to find new purpose in life by retraining as a singer at weddings and parties. That’s a lot more attractive to women, his friend assures him.

When his mother passes away, Manouchehr, an unmarried retiree with no other relatives, sets off on a journey to find his one and only friend in Tehran.

An atheist, Iranian filmmaker Mehran Tamadon managed to convince four mullahs, all believers in the Islamic Republic of Iran, to come and stay with him for two days and engage in discussion. In this confined space, daily life is combined with debate, an unremitting demonstration of the problematic issue of how to live together, when each side's understanding of the world is so contrary?

A man who has been through a really bitter experience in his life is thinking of joining his family who has recently immigrated, but before that he must catch up on some things like renting out his home, selling the car and etc. , but his problem is something else.

A solar eclipse has brought people to the edge of madness. The Earth witnesses extreme brutality manifested by the need to make terrible sacrifices to an unknown evil. How could this have happened? Is this the wrath of God? Such is the view of a group of extremists who are quick to deal with those responsible. But who decides who is guilty and who is not? Vahid Vakilifar’s fourth film offers an intoxicating, visionary sci-fi which, in spite of the darkness consuming the world, believes in the power of light. Even the goriest images conceal at least a sliver of hope; they serve as a necessary ritual if we are to accept the demons that inhabit us all.

Set in and around Kargil, a Muslim-dominated town in the Himalayas, where a war was fought between India and Pakistan in 1999, the film tells the story of Amir, whose short film gets banned due to a complaint from a religious leader, and his social media accounts gets blocked. His elderly mother Fatima sets out on an arduous journey in the Himalayan mountains to show the film in villages, which breaks her mentally and physically and brings her close to madness before she becomes a free soul.

In rural northwest Iran, Gheirat, a modest charcoal producer, is pushed into a tragic spiral after his son, sentenced to jail, evades to Azerbaijan.

Touran Mirhadi (Khomarloo) is the founder of Farhad School, the Children's Book Council, and the Encyclopedia for Young People. She was also actively involved with close to 20 other institutions dealing with child development and education and supported the formation of dozens of others. She is known as the preeminent architect of childhood institution and the mother of modern education in Iran. This film follows the efforts and preoccupations of Ms. Touran Mirhadi in the last four years of her life. It shows how she strove to enrich the field of child education in Iran to the age of 89, always maintaining that peace was to be cultivated at childhood.