Amateur

Argentina is a country with an extensive and varied cinematography. Within this enormity, there is a rare, atypical… bizarre cinema. Bizarrofilia aims to investigate the origin and meaning of the word “bizarre”, how the passage of time implies reinterpretations of some works, and focuses on the contemporary production of films that aim to distance themselves from any mimetic representation of reality… although in a country like ours reality always surpasses fiction.

Two groups of marginalized people, of different generational composition, dispute the modest geography of a square, in the most perfect synthesis of Caetano's recurring theme: the confrontation of poor against poor as the atrocious symptom of the loss of political consciousness.

Lucas and a group of friends decide to make a Sci-Fi movie without knowing that they live in a world where that is forbidden. They become the only hope of rebellion, the only hope to bring down a decaying empire and generate a new revolution that awakens the sleeping people.

After her 27th birthday, Silvia Prieto decides to take charge of her life and make some changes. At the same time, she suddenly finds herself intertwined in the life of another woman who is also named Silvia Prieto.

Three young aspiring artists fly to Brazil to present their film at the Shortfilm World Cup. Reality and fiction merge to the point where the viewer might wonder if anything is actually real when there's a camera recording it.

Documentary about the enigmatic and experimental music group "Reynols", his lead singer and leader who was down syndrome and the peculiarity of having a discography published in the most dissimilar corners of the planet.

The venerable VHS may have surprises. A strange spell captures the protagonists, who are friends, and submerges them straight into the world of the most implausible Argentine cop films. An amazing flow of images lost, forgotten and recovered whose consumption threatens to become addictive.

About Christmas, or about the construction of fiction, about the protagonists of the farce, about the exploited by the system, about the mercenaries of the performance; a film about angelic beings.

After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.

Ana loses her mother after a sudden heart attack. He tries to avoid his feelings by feigning indifference. He doesn't stop doing anything he always did, until a message, left by his mother in a radio message box before she died, is accidentally deleted. Ana is forced to face reality.

Twenty-something Ana, now living in Buenos Aires, returns to her native city of Paraná. She meets old school mates, old friends, makes new ones, and starts to rethink her life, and perhaps change her future.

A reflection on success and happiness from the observation of the world of amateur awards granted to artists and communicators.

The story of the rebirth of Federación, Argentina that in 1974 was flooded by the waters of the Uruguay River and subsequently destroyed by the government to be relocated and rebuild, told by its characters.

While the whole world gets shocked by news on life on Mars, a group of friends lives imprisoned in a mechanical choreography, a farce that can hardly be considered as life.

This is the story of a successful family of artists and an unlikely blended family, told through what for some is the worst Argentine film in history and for others, an object of devotion.