In the Colourbox

Kec, an amateur boxer, prepares for a tournanametn, dutifuly performing the tasks given to him by his coach.

Nature, civilzation and humanity all start to crumble and vanish in the wake of a major ecological disaster.

In an underwater robotics test pool a machine infected by an unknown biological conglomerate conducts a fatal manoeuvre. The new compounds create their own forms, self-sustainable, self-forming and adaptable. An Anthropocene, a human product, has opened a possibility for the extension of the body without organs to host other forms of life, inhumanly wondrous and unpredictable.

Electronically processing the image, with digital animation and use of analogue generators of image and sound, "Convergence" researches the convergence of body, virtual figures and codes.

In the parallel process, space and time are defined through the movement of the body and the body is inevitably transformed by the movement in time and space. Accelerated through iterative procedure, dimensions start to merge and the body falls to its astronomical existence. Zero is where time, space and body become one. (Ivor Glavaš)

Analog photographs, chemical processes and digital micro-animation establish an interspace between the photographic and cinematic, the static and the moved. The form as a shape of energy transforms the view.

The launch of an espionage balloon from an Italian village, located opposite the southern part of the Istrian peninsula, marked the beginning of a most unusual adventure for aviation officer Giuseppe Rosignoli. The decision to go on a reconnaissance mission over the heavily fortified Austro-Hungarian military zone of Pula was made several months before the Kingdom of Italy entered World War I in 1915.

Umkehr Film Material. Shot on Bolex H16 camera. Three Expositions inside camera. Drago Doppler film developer. Coloured with Pantone Markers. Sound originally recorded on Tascam 4 channel cassete recorder. Magnetophone system used separately during film projection. Sound created with Bass Guitar and effect processor Boss.

Gravitational waves are passing through every existing dimension, even the almost undetectable ones. The scientific experiment, in its basic utilitarian nature, is aimed at the understanding of the multidimensional structure of things and has the potential for an uncanny experience. The device has successfully detected the unknown dimension at an infinitesimal scale and set up the parameters for magnification and tracking of all the activities in the ambient of non-place visible to us. By its typology, the universal architecture of non-place is optimised for documenting the unknowable and determining the topology of the unexpected. The film follows the course of the intense activities of the entities present in the N dimension that generate a sort of beyond-human experience.

If the new world ever existed, it is still hidden way behind the horizon. An analogue clock is ticking away the last seconds before world crisis, while a noble patina covers fragments for archaeologists of memory. A silent relief in between two wars; a time of diffident bodies, of melancholy leisure, of secret divisions of the world. It is 1929. Peace before an enormous explosion.

The expansiveness of empty landscapes that call attention to their subtle forms in a dynamic macro-perspective, and densely built urban ensembles combined with fragments of dry instructions and inconspicuously urgent communications to create a reserved fictional meditation on the relationship between man and machine.

A video on the edge between sci-fi, video clip and narration which is suggests tension of story and events, while at the same time real dramaturgy is neglected, and the plot line is followed by rhythmic music in real and electronically generated areas, accompanied by actors, maquettes, puppets and models.