The Loners

Pinchas (12) and his mother Tamara (39) are new immigrants from Russia. Pinchas spends most of his time alone, while Tamara works hard to put food on the table. Pinhas learns that his classmates are preparing for their Bar Mitzvah ceremonies. He follows his religious neighbor, Shimon Amazaleg (36) and asks for his help to prepare for his Bar Mitzvah.

The time: 1970, the end of the War of Attrition. Mossi, Arah'le, Margo, Zvillich, Kobi, Naomi and Shosh – the protagonists of Late Summer Blues – live out their last summer vacation at the beach, in the streets, and on the rooftops of Tel Aviv, throwing caution to the wind as if there were no tomorrow, as if they were going to die tomorrow.

Fifty years after Slow Down by Avraham Heffner won a prize at Venice Film Festival, top alumni of the Jerusalem Sam Spiegel Film School challenge the 1968 legendary black and white

Director Yeud Levanon and writer Yitzhak Ginsberg have created a film based on their memories from Hadasim boarding school.

Renan Schorr documented the wedding of Uri Zohar's son to Arik Einstein's daughter.

Director Yeud Levanon’s feature-length debut follows the story of Itzik (Gedalia Besser), a military radio station producer who, in between having to navigate all the internal power struggles at the station, must also juggle his estranged wife (Gila Almagor), teenage daughter, young pregnant partner (Dafna Armoni), and a soldier with whom he is having an affair (Irit Sheleg). Meanwhile, he is also working on getting a young Middle Eastern folk singer’s (Arnon Zadok) album produced. The film’s protagonist is living a mile-a-minute life made up of constant downward spirals or ego-tripping highs. However, try as he might to have his cake and eat it – it is only a matter of time until his whole world comes crashing down on him.

Raveh does not only document the past, he documents a future that will never be, and the films that Amrani did not live to create. Researching Amrani's documents, Raveh found several short screenplays, and sought out three directors of Amrani's generation to bring them to life. The short films are interwoven throughout the documentary - "The Boat", directed by Nir Bergman, "Albert and Ronit", directed by Dover Kosashvili, and "Sabbath Eve", directed by Joseph Cedar. The warmth, intensity and drama of family life; issues of Persian ethnicity; tradition and the desire to break away from tradition; the competition and camaraderie of boys and men; the search for love; a persistent spiritual search and a love of the sea - all these are reflected in the brief yet intriguing vignettes, imbuing the film with a sense of Amrani's vision as a filmmaker and how his presence might have influenced the Israeli film scene.

A building in Israeli Hebron, which has been deserted by its Palestinian occupants, is called 'The Mute's House' by the Israeli soldiers stationed there and by the tour guides who pass by daily. The building's only occupants are a deaf woman, Sahar, and her 8-year-old son, Yousef. The family's unique story, in the midst of the Israeli-Palestinian conflict, unfolds through the eyes of the young and charismatic Yousef, as he goes through his daily routine on both sides of the torn city.

The late Renen Schorr (Late Summer Blues) turns his camera on the 25-year exchange of letters between himself and his grandfather Rabbi Avraham Heller, hero of the 1948 Battle of Safed. Their correspondence reveals a generational and ideological rift, articulating the contradictions of Schorr’s generation of Israelis.