At the End of the Film

There are four people who want to become an actor. Their names are Hun, Eun, Jun, and Kyung. After watching the play [QUARTET]. They decide to participate in an acting workshop. They are trained by Mirae, the renowned actor of the [QUARTET]. Through the workshop sessions, Mirae is able to look into the inner lives of the four youths.

Seong-chan, aka Lucas Fedora, rejects his girlfriend's proposal to get married and start a family of their own and leaves her to return to Korea and find his biological mother. He checks into a run down motel owned by two widows who have demons of their own. Seong-chan's dreams and his past intermingle with tragic results.

Actors and film students Geum-joo and Dong-geun descend on Muju, the hometown of their classmate Min-ju. Their task is to create the "first memory" of the person the play--the memory that has been kept in the character's mind for the longest time, the memory that has become the character's unconscious.

Is it acceptable for a forty-something woman to be in a relationship with 17-year-old boy? The idea of love between two people with such an age gap and the social exclusion that it can bring is the subject of Pascha. Gaeul is a 40-year-old screenwriter who lives with 17-year-old Joseph and their cats. The families of the two lovers cannot comprehend the relationship. Gaeul's family are especially baffled by every aspect of her life; raising a cat and living off of vegetables, let alone having a 17-year-old lover! Gaeul's family see her as the family's dirty little secret. More and more obstacles from society are placed between the lovers and their happy ever after; poverty, death, opposition against vegetarianism and the couple's pregnancy. Can a love like this survive no matter the odds in today's society?

I am an actress who plays Martha, the main character of the play 'The Misunderstanding'. Even in my daily life, I constantly draw back Martha's lines and portray her. Following her feelings, I go to the sea that she craved and find a desert that resembles her. I feel her footsteps as I pass through the sea and the sun, the devastated desert and the burnt-out warehouse, where I meet her.