Twilight

Twilight

1998

Video Art by Tom Chomont

Directed by Tom Chomont

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More from Tom ChomontSee all →

Panic BodiesPanic Bodies · 1998
Panic Bodies
9.01998
MovieDocumentary
"Panic Bodies is a 70-minute, six-part exploration of the ways we experience the body's betrayals: disease, decline and death. The film is a panorama of emotionally charged recollections of strange relatives and estranged siblings, staged recreations of fast-fading pasts and personal mythologies, and reflections on the anxious states created by the body's fragile claims on time and space. It's about being a stranger in your own skin. Panic Bodies perfects the phantom quality of any good work about mourning, but it is not reducible to that. It is also enlivened by the intimacy that comes from having made a spectacle of personal secrets." (Kathleen Pirrie Adams, Xtra)
CommittedCommitted · 1984
Committed
8.01984
MovieDrama
Stylized, black and white biography of Frances Farmer by author Lynne Tillman and Sheila McLauglin.
The Cat LadyThe Cat Lady · 1969
The Cat Lady
5.71969
MovieDrama
“A portrait of Carla Liss, evoking the atmosphere of the old horror films we both loved.”
OpheliaOphelia · 1969
Ophelia
5.01969
Movie
A portrait inspired by reading about John Millais' painting Ophelia.
OblivionOblivion · 1969
Oblivion
2.01969
Movie
“Approximately thirty images comprise Oblivion. Most obsessively repeat themselves. Although the images appear to be solarized, the film was actually contact-printed, combining high contrast black and white negative with a colour positive of the same image. The high contrast accounts for the tendency of shots to flood. Images in the film swell and contrast, often disappearing into pure colour… Oblivion employs extremely rapid cutting. Some of the images last as briefly as two frames. The fact that we see so few frames, that a shot is representationally ambiguous, or shown upside down and sideways, often causes the viewer to project his/her own fantasies… When Jean Genet was asked to what end he was directing his life he responded, “To oblivion.” (J.J. Murphy, “Reaching for Oblivion”) (mikehoolboom.com)
Early Monthly SegmentsEarly Monthly Segments · 2003
Early Monthly Segments
2003
MovieDocumentary
Filmed when Beavers was 18–19, this self-portrait depicts him and Gregory J. Markopoulos in their Swiss apartment. A diary of domestic life, it transforms everyday objects and intimate details into a charged meditation on love, memory, and desire.
JabbokJabbok · 1967
Jabbok
1967
Movie
The story of Jacob wrestling the angel at the stream called Jabbok.
Storm WarningStorm Warning
Storm Warning
Movie
Third part of a trilogy.
Razor HeadRazor Head · 1984
Razor Head
1984
Movie
One man shaves another in this highly charged erotic performance.
The HeavensThe Heavens · 1977
The Heavens
1977
Movie
"The Heavens"–Symmetrical chaos envelops a lone, topless man, whose symmetrical abstractions conjure up a psychadelic version of DaVinci's Vitruvian Man.
Spider Jan.16.91Spider Jan.16.91 · 1994
Spider Jan.16.91
1994
MovieDocumentary
Short experimental film made in 1994.
Minor RevisionsMinor Revisions · 1979
Minor Revisions
1979
Movie
"I intended to make a film about food and spiritual nourishment, but this was punctuated by two visits from a friend (upon entering the us army and the birth of his daughter)..."
The Mirror GardenThe Mirror Garden · 1967
The Mirror Garden
1967
Movie
A romantic and lyric study of a young friend and readings he encouraged, especially Mallarmé.
AquariumAquarium · 1994
Aquarium
1994
MovieDocumentary
Short experimental film made in 1994.
Epilog/SiamEpilog/Siam · 1968
Epilog/Siam
1968
Movie
Two portraits paired, one warm, one cold.
abda/Rebirthabda/Rebirth · 1975
abda/Rebirth
1975
Movie
With abda I was processing black and white film myself in buckets . . . I wanted to destroy my own image." – T.C. (An interview in Afterimage, Summer 1981.)

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