Miss Knife chante Olivier Py

The originality of the show lies in the gap between the narrative provided by the voice-over (omnipresent) and the visible, concrete actions played on stage by the characters in an almost silent film: their play, sometimes very poetic, transcends narration. As a result, not only is the spectator's emotion intense, but the philosophical reflection on the meaning (s) of the work emerges: since Man sells his thought, his body, his time, in exchange for a salary, since he is constantly in exchange, barter, link, is he a "merchant"? What is he walking towards?

A staging of Joël Pommerats's play "Ma chambre froide" by himself.

A French adaptation of Aeschylus' three-part play "Oresteia", staged by Olivier Py.

A staging of David Lescot's play "Nos occupations" by himself.

A staging of Olivier Py's play "Orlando ou l'impatience" by himself.

A staging of Olivier Py's play "Adagio (Mitterrand, le secret et la mort)" by himself.

A staging of Jean Racine's play "Britannicus" by Jean-Louis Martinelli.

A staging of Olivier Py's play "Les Enfants de Saturne" by himself.

A staging of Olivier Py's play "Les Enfants de Saturne" by himself. It is based on the tale "Die wahre Braut" by brothers Grimm.

A French staging of Ascanio Celestini's play "Laïka" by himself.