Say I Do

Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.

Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.

Dating coach Alex 'Hitch' Hitchens mentors a bumbling client, Albert, who hopes to win the heart of the glamorous Allegra Cole. While Albert makes progress, Hitch faces his own romantic setbacks when proven techniques fail to work on Sara Melas, a tabloid reporter digging for dirt on Allegra Cole's love life. When Sara discovers Hitch's connection to Albert – now Allegra's boyfriend – it threatens to destroy both relationships.

When a mafia accountant is taken hostage on his beat, a police officer – wracked by guilt from a prior stint as a negotiator – must negotiate the standoff, even as his own family is held captive by the mob.

Cocky researcher Sebastian Caine is working on a project to make living creatures invisible. Determined to achieve the ultimate breakthrough, Caine pushes his team to move to the next phase — using himself as the subject. The test is a success, but when the process can't be reversed and Caine seems doomed to future without flesh, he starts to turn increasingly dangerous.

Soul-touching and moving, TWO WAYS HOME compassionately follows Kathy (Tanna Frederick), a woman newly diagnosed with bipolar disorder who is released from prison on good behavior and returns to her country home in Iowa to reconnect with her estranged 12-year-old daughter (Rylie Behr) and her cantankerous elderly grandfather (Tom Bower). Her return home is turbulent and a rough, unwelcome transition in which Kathy must come to terms with her diagnosis and its implications on her identity, while also realizing that her family was happier when she was gone. Conflict with her family intensifies as she struggles to keep her head above water, putting her self-worth and well-being to the ultimate test.

The 'M' Word" explores the themes of "menopause, men and menses".

An electronic ankle bracelet and being under house arrest aren't about to stop up-and-coming actress Maggie Chase (Tanna Frederick) from the two things she craves the most: real fame and true love. With more "Google points" than her Iowa hometown, but far less than Angelina Jolie, Maggie is desperate to claw her way off the B-list of action/adventure pictures and into major movie stardom.

Stinging from the latest of several romantic break-ups, Pandora Isaacs (Tanna Frederick) retreats to the safety of her parents’ ramshackle upstate country house — just 45 minutes from Broadway— where her non-theatrical sister (Julie Davis) and her sister's fiance, a real- estate executive, (Judd Nelson) are also arriving for the weekend and the family's yearly Passover Seder. Family secrets, sibling rivalries, theatrical hysterics and the possibility of true love as rare as a blue bullfrog all emerge.

A gripping coming-of-age thriller. 11-year-old Cleo (Chloe Ghloe Guidry) forms a dangerous bond with a kidnapper (Jessica Sula), blurring the lines between kidnapping and running away.

Maggie Chase, now a passionate theater actress, must follow her mind or heart when she falls for a slick television star.

Upon turning 40, a man chases his dream of becoming a professional golfer at any cost. What he finds along the way changes his life forever.

Examines how an epidemic of hatred has left America helpless in the face of crisis—and how a return to empathy can save us.