Bulgar Sadık

The president, who believes that he caused an unjust execution because he complied with the presiding judge in the first death sentence he participated in, is re-investigating the incident after his retirement.

Pistachio and Mistik are two brothers who cannot hold on to any business. Somehow they are responsible for the safety of a casino.

Sevket is killed while he escaping blood vengeance. After that, Döndü must look after her children in despite of poverty and blood vengeance.

TRT - Ömer Seyfettin Stories

Selma is a young eighteen-year-old girl and her fiance, Ali, is a workshop foreman. One day, Ali is arrested for hitting a man in a nearby cafe. This indident causes her downfall and the tragic events that occur.

Halil the greengrocer goes to a nightclub with his friends one day to break the monotony of his life. There he meets Sabiha, one of the women working at the club. They fall in love at first sight and begin living together. While Sabiha is making plans for the future with Halil, she learns a truth about him that she didn't know, and the forbidden love that began at the nightclub turns into a dead end filled with lies.

The film tells the story of a hitman exacting his revenge on the people who deceived him. Recently released from jail, Ali takes up work from strangers so that he can afford to go to Germany. He kills a divisive loan shark in exchange for some money and a passport. But, the money turns out to be counterfeit. So, Ali starts to search for the men who cheated him. In the meantime, he grows close to Gül, the daughter of the man he killed. This relationship, however, will make Ali feel some unfamiliar emotions.

The struggles of a migrant Anatolian family to adapt to and survive in the very different conditions of urban Istanbul. A young woman moves with her husband and small child to her husband's family in Istanbul. Her son becomes ill and the doctor tells her that he will soon die if he doesn't get an operation. The family refuses to help her because they can't see anything wrong with the boy. What happens on a Eid morning becomes a breaking point for the family.

Orhan and Nevin are planning to get married. However, they are unaware that their relatives want to prevent them from getting married. Orhan's brother Muzaffer loves Nevin, and Nevin's stepmother Aliye loves Orhan. Orhan's repeated rejections and his engagement to Nevin drive Aliye mad. As a result, Aliye incites Muzaffer against his brother Orhan and Orhan against Nevin. Unaware of what is happening, Orhan leaves Nevin. However, over time, he will uncover the truth behind everything that has happened.

Kemal works as an electrician in a factory. The owner of the factory, Süleyman Bey, is murdered. Due to a conspiracy hatched by Süleyman Bey's wife, the murder is pinned on Kemal. Kemal is arrested and sent to prison. Süleyman Bey's wife and lover try to get rid of Kemal to prevent the murder from being exposed. Kemal, however, will do everything in his power to prove his innocence.

The film deals with the migration from the village to the city with a realistic narrative. The immigration phenomenon described in workers' hands in a factory refers to both the modernization process in the period and the unionization. Hacer emigrates to Istanbul with his father, two children and his wife. Her husband left her and she was a helpless. Hacer was influenced by the union of the working factory, who owns the crippled friends. Hacer thought very much about to traditions versus modernization. It is the last of the film of director Ömer Lütfi Akad's Bridal-Wedding-Recoup trilogy. And it is still the inaccessible film of Turkish cinema history with its movie theme, cast, and acting success.

There is a story about a German second wife brought from Germany to a village in Erzincan.

A melancholy man meets a stunning, mysterious woman while he is traveling, and discovers she may or may not be involved in a prostitution ring. She disappears after their relationship lasts a few days, and though he searches for her, those around him pretend not to know who he is speaking of.